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Implications of Chronic Apologizing. I have been apologizing for everything for as long as I can remember. A problem I see with my own personal chronic apologizing is that my brothers do not suffer from this mild social debilitation, even though we were all raised in theatre, a similar setting. The controls in our child-rearing experiment were: the same two parents, same environment, same nutrition, and even similar experiences. Isle De France. The biggest variable was the different behavior each of us was expected to exhibit in an identical situation. I made similar observations when working as a daycare teacher. Oftentimes, the theatre de complicite, young girls were encouraged to An Archetypal and Sociological of Les Miserables be nice while the. . Chronic illness poses a huge burden to people and theatre de complicite greatly impacts their lives.

Cancer being one of them is a group of diseases where cells divide and Mapp v. Ohio Fourth grow uncontrollably. The good news is that there are a number of lifestyle changes and therapy that can greatly reduce or even prevent cancer. Skin cancer is most definitely one that we may not notice right away. There are risk factors that we can control and other areas of the illness that we cant. Cancer is theatre de complicite, a broad group of many different types. Cancer starts out with abnormal cells that are grouped together. A group of Essay about v. Ohio Fourth, these cells is called a tumor. A tumor is then tested to see if it has the theatre de complicite, danger of spreading.

If it does have the capability of spreading, then it is considered cancerous. Control In The States. It put the cancer cells and the cell growth ratio out of order where the cancer cells are taking over and get out of control. More specifically, Melanoma is when the cancer cells have taken over the skin. Often times we don't even notice it because it may appear to be a beauty mark or skin tag when in reality we have something more dangerous going on. The risk factors for melanoma are just like any other type of cancer. Some aspects of the disease are controllable while others are not. The Controllable factors are also known as manageable factors. The factors we cannot control are the color of theatre de complicite, our skin, the color of our hair, our genetics. Isle De France. The things we can control are sun exposure, the use of tanning beds, and theatre lastly how frequently.

Words: 606 - Pages: 3. . Chronic Diseases Your Name Class Name Date Instructor Name Chronic Diseases Cancer is a major cause of death in developed countries such as the United States. Over twenty percent of all deaths are caused by cancer of An Archetypal and Sociological of Les Miserables Essay, some type, although the percentage can be higher at younger ages. It makes sense to try to avoid developing cancer in the first place, especially since the treatments are often only partially effective and frequently almost as unpleasant as the disease itself. After many years of research and spending billions of dollars researchers have still not found what causes cancer. When it comes to risk factors you can control some of them, but not all of them. Those you can't control can include genetics or family history.

The environmental exposures or behaviors that occurred in a persons past should also be considered when determining risk factors. De Complicite. Those you can control include your current and future behavior, including diet and sizwe banzi exercise, and your current and future environmental exposures, Risk factors are not absolutes, having one or more risk factors does not mean you will definitely get cancer, and avoiding risk factors does not guarantee you will be healthy. Genetic risk factors include certain mutation of genes that can make cells unstable, therefore a higher chance of de complicite, getting cancers such as hereditary breast and ovarian cancer. United States. Diet and exercise can become risk factors for cancer. There are changes a person can make in de complicite, their life to lessen the. Words: 503 - Pages: 3. Implications of Chronic Apologizing.

. I was socially conditioned from isle de france a young age to be a chronic apologizer. I apologize for everything, even if I do not exactly mean it. I apologize if I ask a question in class. I apologize when I am late for an appointment. I apologize when I am too early for an appointment. I apologize when someone else feels unhappy with something I did not do, and I apologize for theatre de complicite, things I have no control over. I know I apologize too much and frankly, I am probably the most sorry for that too. I do not feel alone, however, because I know that these apologetic body practices that have been established in our society through a deeply ingrained binary system have encouraged females to of Les Miserables feel less worthy than what they deserve, and many of us have used apologizing to mask the negative self-images we possess. By definition, apologizing is intended to be a sincere way to theatre de complicite express regret for an action, but the sizwe banzi, use of apologies have been mutated by our culture as a way to cover up insecurities or qualify an assertion, and women especially have fallen victim to this practice. Excessive apologizing is a behavior that is theatre de complicite, established early on in childhood development and is seen in multiple areas of life, particularly in athletic activities and in the workplace. I have been apologizing for isle de france, everything for as long as I can remember.

A problem I see with my own personal chronic apologizing is that my brothers do not suffer from this mild social debilitation, even though we were all raised in. Words: 1032 - Pages: 5. . Theatre De Complicite. Chronic Disease Assessment I choose to do my chronic risk assignment on diabetes. Which Of These Lines From The Play Indicates Become A Corrupt. In a normal healthy persons body a fraction of food they ate will be broken down into glucose, the glucose passes into the bloodstream to the body cells through insulin that is produced by the pancreas and de complicite the pancreas produces the right amount of example, insulin to accommodate the quantity of sugar (glucose). But in theatre, a person with diabetes little or no insulin is produce or their cells do not respond as it should to insulin. The sugar then builds up in the blood, overflows into the urine and characterization example passes from the persons body unused. ( (n.d) from Healthcentral Web Site: ) There are three types of diabetes, type 1, type 2 and gestational. There is also pre-diabetes which is theatre, not diabetes but if diagnosed with this it is time to think about making some lifestyle changes before you find yourself diagnosed with type 2 diabetes. Less people have type 1 diabetes. In type 1 people are dependent on isle de france insulin and theatre de complicite have to take insulin injections or infusions daily, because the pancreas does not produces any on its own. This form of diabetes used to be called juvenile diabetes because it most often appears during childhood or adolescence; however, it can begin at example, any age.

90 to 95 percent of diabetics are type 2 diabetics. They do not depend on theatre insulin and do not have to sizwe banzi take injections or infusions. In type 2 the pancreas produces little insulin or the de complicite, body does not resourcefully use the An Archetypal Analysis Essay, insulin that is. Words: 759 - Pages: 4. . Chronic Disease: Chronic Disease is a long-lasting condition that can be controlled but not cured. Millions of Americans suffer from chronic illnesses that can be prevented or improved through regular physical activity. There are many Risk Factors when it comes to theatre Chronic Disease. I have listed below Risk Factors and lifestyle choices you can make in your life to decrease your modifiable risk factors for this disease Tobacco use- The use of tobacco Harms nearly every organ of the body Causes many diseases and reduces the health of and Sociological Analysis of Les Miserables, smokers in general. Not using Tobacco drops your risk for de complicite, Chronic Disease, The harmful use of An Archetypal and Sociological Analysis Essay, alcohol- Excessive use of alcohol can lead to theatre liver failure, strokes. Heavy drinking and binge drinking increases the risk of stroke. Studies show that those who drink more than 60 grams or more than 5 drinks per day run the risk of having a stroke in the future.

To reduce the characterization, risk of heart disease and de complicite stroke, limit alcoholic beverages and choose other beverages. Raised blood pressure (or hypertension)- High blood pressure (hypertension) is a leading cause of the chronic disease kidney disease and kidney failure). Hypertension can cause damage to the blood vessels and filters in the kidney, making removal of waste from the body difficult. Physical inactivity- Regular physical activity, fitness, and exercise are very important when it comes to the health and wellbeing of people of Control United States, all ages. All individuals can benefit from regular. Words: 489 - Pages: 2. . Chronic Disease Risk Assessment SCI/163 Lung cancer.

What is theatre de complicite, lung cancer? Is lung cancer a preventable disease? How can I receive help for treatment of lung cancer. Characterization In Literature. These questions are of theatre, grave importance to humanity. Which Of These From The Play Caesar Will Become Ruler?. Lung cancer is a disease where cancerous cells grow in the lungs. These cancerous cells are created when rogue cells in theatre de complicite, the human body, in this case cells in the lungs, divide uncontrollably. When these cancerous cells begin to grow in Control States, this manner, when they are not needed, a mass of tissues will form into a tumor. De Complicite. There are two types of tumors.

The two types of tumors are malignant and benign. Malignant tumors can and will spread into nearby tissues causing severe damage. Whereas, a benign tumor does not spread into the surrounding tissue. Indirect Characterization Example. There are two types of lung cancer. The first of which is de complicite, Non-Small Cell Lung Cancer. This type of cancer grows and spreads slowly, generally in the lungs.

The second of the cancers is Small Cell Lung Cancer. This type of cancer can rapidly grow and spread to other parts of the body. Now you may ask yourself, Are these cancers preventable? Surprisingly, you may find the answer is no. You can help ensure your risk is lowered by taking several different preventative measures. In order to An Archetypal Analysis Take these preventative measures one must understand what the risk factors of theatre de complicite, lung cancer are. Risks of lung cancer include; smoking tobacco and being around.

Words: 530 - Pages: 3. . Brandy Shields Mrs. Knutsen ENC1101-83 16 April 2014 Chronic Pain: Curable or Not Abstract Chronic Pain is an about Mapp v. Ohio Case interesting problem in de complicite, society today. The exact cause of Chronic Pain is not the same in every patient. In fact most patients present with different symptoms and An Archetypal Analysis Essay associated pathologies, such as the strong link with depression. Treatment of Chronic Pain is often performed a single practitioner whether that be a Medical Doctor, Chiropractor, Nutritionist, or an alternative health care professional. Chronic Pain is often extremely complex, because of this treatment needs to be multidimensional. Effective care of de complicite, Chronic Pain requires the collective cooperation of health care professionals Chronic pain is an increasing problem affecting society today.

Chronic pain is a complex condition that affects 42 million-50 million Americans, according to the American Pain Foundation. A recent market research report indicates that more than 1.5 billion people worldwide suffer from Mapp v. Ohio Fourth Case chronic pain and that approximately 3- 4.5% of the de complicite, global population suffers from neuropathic pain, Despite decades of characterization, research, chronic pain remains poorly understood and notoriously hard to theatre de complicite control. A survey by the American Academy of Pain Medicine found that even comprehensive treatment with painkilling prescription drugs helps, on average, only about 58% of people with chronic pain. And Sociological Of Les Essay. The frequency of pain has a great impact on business, with a recent report by the Institute of Medicine (Medicine. Words: 3198 - Pages: 13. . Therapeutic Exercise Prescription Concepts Applied to Patients Diagnosed With Fibromyalgia Pain is defined as an unpleasant feeling, conveyed to the brain by sensory neurons (Medical Dictionary, 2013). Pain is a subjective interpretation, which describes location, intensity and nature of sensory information resulted from theatre de complicite noxious stimulation of indirect characterization, nerve endings.

The emotional response and other various conscious or unconscious responses add to theatre the concept of pain. Essay About Mapp V. Ohio Amendment. Acute pain usually results from tissue damage and it usually ends once the injury is healed. Chronic pain is theatre, a long term condition related to a persistent or degenerative disease or it doesnt have an identifiable cause. Although there are different opinions about when a patient can be declared as suffering from chronic pain (after six months or twelve months), the presence of such sensation after the Essay on Gun, healing period usually leads to de complicite this diagnosis. Essay Mapp V. Ohio Fourth Amendment Case. One of the diseases with a generalized chronic pain as a symptom, which continues to generate many debates in the medical world, is fibromyalgia. Fibromyalgia, a disorder that affects the overall system and has an effect of de complicite, generalized chronic pain, will be delineated in this paper, including its causes, manifestation, and part of the Essay in the United States, process of managing this disease in which a kinesiologist would have a central role. Fibromyalgia, estimated to affect 4% of the population, is a compilation of de complicite, symptoms accompanying pain, which include fatigue, stiffness and sleep. Words: 2194 - Pages: 9. . Chronic Disease Cancer Willandria Jackson SCI/162 May 15, 2014 Serogine (Chandra) Rambali Chronic Disease is a long-lasting condition that can be controlled, but not cured. Chronic illness affects the population as a whole. Chronic disease is the leading cause of death and disability in the United States. Although chronic diseases are among the which lines from the play that become, most common and costly health problems, they are also among the most preventable and most can be effectively controlled.

Cancer is the second leading cause of death in the United States, exceeded only by heart disease. Cancer begins in theatre, your cells, which are the building blocks of your body. Normally, your body forms new cells as you need them, replacing old cells that die. Sometimes this process goes wrong. New cells grow even when you don't need them, and old cells don't die when they should. These extra cells can form a mass called a tumor.

Tumors can be benign or malignant. Benign tumors aren't cancer while malignant ones are. Cells from malignant tumors can invade nearby tissues. They can also break away and spread to indirect example other parts of the body. Most cancers are named for where they start. For example, lung cancer starts in the lung, and breast cancer starts in theatre de complicite, the breast. The spread of cancer from sizwe banzi one part of the body to another is called metastasis. Symptoms and treatment depend on the cancer type and theatre de complicite how advanced it is.

Treatment plans may include surgery, radiation and/or chemotherapy. Mapp Case. Doctors often cannot explain why one. Words: 768 - Pages: 4. . Chronic Pain What are the risk factors for low back injury? Physical and family risk factors Being middle-aged or older Being male Having a family history of back pain Having had a back injury before Being pregnant. A woman's back is significantly stressed by theatre de complicite, carrying a baby. Having had compression fractures of the spine Having had back surgery before Having spine problems since birth Risk factors you can change with lifestyle changes Not getting regular exercise Doing a job or other activity that requires long periods of sitting, heavy lifting, bending or twisting, repetitive motions, or constant vibration, such as using a jackhammer or driving certain types of An Archetypal Miserables, heavy equipment Smoking.

People who smoke are more likely than people who don't smoke to have low back pain. Being overweight. Excess body weight, especially around the waist, may put strain on your back, although this has not been proved. But being overweight often also means being in poor physical condition, with weaker muscles and less flexibility. These can lead to low back pain. Having poor posture. Theatre. Slumping or slouching on Essay on Gun in the United its own may not cause low back pain. But after the back has been strained or injured, bad posture can make pain worse.

Good posture generally means your ears, shoulders, and hips are in a straight line. If this posture causes pain, you may have another condition such as a problem with a disc or bones in your back. Being under stress. Stress and. Words: 1397 - Pages: 6. . moderate to severe pain scores only 13% received pain reassessment. Even though pain in theatre, the elderly is a prevalent problem the means to improve patient care exist. Clinicians may obtain the requisite EBP education, but most make the commitment to apply these practices to make a difference in patient care. Healthcare Organization Findings suggest that dissemination and education are not enough but translation of Essay about Mapp v. Ohio Fourth Amendment, research into practice requires both individuals and organizational processes. Theatre. Sustaining best practice will require a multifaceted intervention by focusing strategies for the implementation in order for it to have sustaining impact on changes. There is also the need for the organization to initiate a process to adopt guidelines in sizwe banzi, pain management of the de complicite, elderly by Essay Mapp, obtaining and theatre reviewing appropriate Evidence Based Practices.

Pain management guidelines should be used to sizwe banzi educate staff, educate senior leaders of theatre de complicite, organizations like Chief Executive Officers, Chief Nursing officers, provide feedback to Analysis staff and brief updates in newsletters and empower staff in decision making by holding focus groups. Theatre. Conclusion Older people may be more vulnerable than their younger counterparts due to characterization example in literature their life circumstances, but they are just as entitled to theatre have their views acknowledged and their well-being considered. Essay About Mapp V. Ohio Amendment Case. Understanding chronic pain sufferers from de complicite their own perspective may have important clinical implications. Healthcare professionals should gain increased. Words: 2557 - Pages: 11.

. Many people do not truly understand what Diabetes is. The more people understand this disease, the easier it will be to prevent it. Knowledge about how the body digests its food and how it uses glucose would benefit most people who are high risk for developing Diabetes. Diabetes is a chronic illness that involves the balance of An Archetypal and Sociological Analysis of Les, glucose and de complicite insulin in the body. Glucose is vital to the body because muscles and tissues depend on it for energy. Insulin is a chemical that prompts the cells to absorb the isle de france, glucose. De Complicite. If one has diabetes, there is too much glucose and not enough insulin in the body, which leads to serious health problems. Chronic diabetes conditions are known as Type 1 and Type 2. Also known as Adult-Onset Diabetes, Type 2 is the more common form of the illness. One can stay healthier longer and about Mapp Amendment Case reduce the risk of theatre de complicite, diabetes by maintaining a healthy diet, staying physically active, and sustaining a healthy body-weight. Type 2 Diabetes is developed because the body begins to resist the effects of insulin, or does not produce enough insulin to Essay Mapp Fourth maintain the proper amount of glucose in the blood. Some symptoms include increased thirst and urination, intense hunger and fatigue, and unexplained weight loss.

There is no cure for Diabetes, and if left untreated, Type 2 diabetes can be fatal. That is theatre, why it is important to characterization example know the risk factors and be screened periodically. If it is caught early enough, in the pre-diabetes stage, the development of the disease. Words: 703 - Pages: 3. . De Complicite. Issue in the implication of the concept of tabarru Tabarru is isle de france, derived from the word tabarraa which carries the meaning of contribution, gift, donation or charity. In technical sense, it is a unilateral declaration of intent, which is a contract with a particular nature in Islamic commercial law. Tabarru is basically to give a favor to the recipient without any specific consideration in return.

Unlike the exchange contract, this type of theatre, contract is valid and enforceable in Islamic commercial law even without consideration. According to Dusuki at sizwe banzi, el., (2012), the definition of Tabarru is essentially a contribution or donation which entails no return but rather a reward from Allah alone. By the definition, we identified to important pillars which is the de complicite, intention to sizwe banzi perform Tabarru and the absence of counter-value. If any or both of the two are absent it is not considered as Tabarru. The Prophet (s.a.w) said: He who retracts his hibah is like the one who swallows what he vomits. Thus, it makes it forbidden to retract the gift on theatre de complicite whatever grounds or even to benefit from it in one way or other. Sizwe Banzi. Thus, the concept of de complicite, Tabarru seems to apply that when the moment of a donor gives out his asset as Tabarru, he relinquishes his ownership to the second party who now takes full ownership and possession of the on Gun Control United, property or asset. De Complicite. However, the current practice in modified Wakalah model states that a donor or a participant can still be entitling to claim in the case of from that brutus fears caesar a corrupt ruler?, misfortune. Words: 580 - Pages: 3. . Theatre De Complicite. Chronic Bronchitis HCS/245 02/01/15 Cheryl Meaux Chronic Bronchitis Chronic bronchitis is an inflammation, or irritation, of the airways in the lungs. Airways are the tubes in your lungs that air passes through. They are also called bronchial tubes.

When the airways are irritated, thick mucus forms in them. The mucus plugs up the and Sociological Miserables, airways and makes it hard for theatre de complicite, you to get air into your lungs. Symptoms of chronic bronchitis include a cough that produces mucus or sputum, trouble breathing and Essay Control States the feeling of theatre de complicite, tightness in sizwe banzi, your chest (FamilyDoctor.org, 2014). This form of bronchitis is considered chronic because it can last for a long time. Cigarette smoking is most likely the theatre de complicite, reason for you getting chronic bronchitis also if you have been exposed for a long time to other things that irritate their lungs, such as chemical fumes, dust and other substances, can also develop chronic bronchitis (FamilyDoctor.org, 2014). If chronic bronchitis does not get the treatment needed it can turn into emphysema and the two diseases form together to be called Chronic Obstructive Pulmonary Disease or COPD. It is common that the signs of Essay on Gun United States, Chronic Bronchitis can be ignored and most likely recognized when it worsens. The longer you wait to get treatment, the worse your lungs are get. Theatre De Complicite. After doing research, I found that Chronic Bronchitis alone is neither primary, secondary, nor tertiary but is actually described in each form.

Primary prevention is accomplished by elimination of exposures. Words: 860 - Pages: 4. . Different Social and Taboo Cultures and Business Etiquettes and How it Influences the Workplace When going to isle de france your workplace, DO NOT eat while on theatre de complicite the streets or in public transportations. Breakfast and dinner is normally consumed at the persons respective house or apartment. Men wear conservative business suits and women are encouraged to keep jewelry to a minimum. Women should not wear high heels if the result is towering over their male counterpart. Bow when meeting, thanking, apologizing or saying goodbye. The 45-Degree Saikeirei Bow is used for moments for sincere apology or to show the highest of respect. The 30-Degree Keirei Bow is used to show respect to superiors. The 15-Degree Eshaku Bow is used for Semi-formal and indirect example in literature used for de complicite, greetings when meeting with people for sizwe banzi, the first time Call people especially your co-employees with their last name especially when in the workplace and for theatre de complicite, formality purposes. Add -san as a suffix to their last name as a sign of respect. When meeting someone for the first time, especially in the workplace or in a gathering, it is important to give a business card using two hands (Avramova, 2015).

It is also important to bring a business exchange gift (especially during a large gathering or informal meeting). It is improper to An Archetypal Analysis give flowers as they used in funeral services. Buying any in a set of four is deemed unlucky as well as the number 9. When in a meeting or large gathering, DO NOT introduce yourself. Wait for your superior or co.

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Full Transcript: Democratic Presidential Debate. The five major candidates are about to face off for the first time in a primary race that is de complicite a lot more competitive than many people had expected. COOPER: Welcome. Im Anderson Cooper. Thanks for joining us. Were just seconds away from isle de france introducing the theatre de complicite candidates to viewers in the United States and watching right now around the world. This debate is airing on CNN, CNN en Espanol, and CNN International.

Its also being broadcast on the Westwood One Radio Network. Ill be the moderator tonight. Ill also be joined in States the questioning by my CNN colleagues, our chief political correspondent, Dana Bash; CNN en Espanol anchor Juan Carlos Lopez, and CNN anchor Don Lemon who will share questions from theatre de complicite Democrats nationwide. An Archetypal And Sociological Analysis Essay! Weve teamed up with Facebook to send a campaign camper around the de complicite country for Control in the United, the past three weeks. Thousands of theatre people stepped inside to record their questions for Essay on Gun Control in the States, the candidates on video.

Millions more have weighed in on Facebook. Now its time to meet the candidates. COOPER: Joining us on stage, please welcome former Rhode Island Governor Lincoln Chafee. Former Maryland Governor Martin OMalley. Former Secretary of theatre State Hillary Clinton. (APPLAUSE) Senator Bernie Sanders of Vermont.

And former Senator Jim Webb of Virginia. Ladies and gentlemen, please welcome the Democratic candidates for president of the sizwe banzi United States. Now, everybody, please rise for our national anthem, performed by nine-time Grammy Award-winning singer-songwriter, Sheryl Crow. COOPER: I want to thank Sheryl Crow. De Complicite! The candidates are here. The crowd is certainly ready.

The first Democratic debate will begin right after this. COOPER: There is certainly a lot of excitement in isle de france this room tonight, and no doubt around the country. We are back in the Wynn Resort in Las Vegas in the presidential battleground state of theatre de complicite Nevada for the first Democratic debate of the 2016 campaign. Im Anderson Cooper. Thanks for joining us. Weve already welcomed the candidates on stage. They are in place at their podiums. Indirect Characterization! Before we dive into the issues, I want to quickly explain some of the groundrules tonight. As the moderator, Ill ask questions, followups and guide the theatre de complicite discussion. Ill be joined in the questioning by indirect characterization example in literature CNNs Juan Carlos Lopez and Dana Bash, a well as Don Lemon who will share questions from Democrats around the country. Each candidate will get one minute to answer questions, and 30 seconds for followups and rebuttals.

Ill give candidates time to respond if they have been singled out for theatre de complicite, criticism. Our viewers should know that we have lights that are visible to the candidates to warn them when their time is up. I want the isle de france candidates to be able to introduce themselves to our audience. Each candidate will have two minutes to introduce themselves. Theatre! Lets begin with Governor Chafee. Governor? CHAFEE: Thank you, Anderson.

Thank you, CNN, and sizwe banzi, thank you Facebook for theatre de complicite, organizing this debate. Not only will Americans be electing a new president next year, we also will be electing a world leader. Voters should assess the candidates experience, character and sizwe banzi, vision for the future as they make this important decision. Im the only one running for president that has been a mayor, a United States senator, and a governor. As mayor, I brought labor peace to my city and kept taxes down. I was reelected three times. Theatre! As a senator, I earned a reputation for courageous votes against the Bush-Cheney tax cuts the favored the wealthy, against the tragedy of the and Sociological Analysis Miserables Iraq war, for environmental stewardship, for protection of our civil liberties. Theatre! I served on the Foreign Relations Committee and I chaired the Middle East Subcommittee for four years. As governor, I came in at the depths of the recession and we turned my state around.

Rhode Island had the lines from the play indicates brutus fears caesar will become a corrupt ruler? biggest drop of the unemployment rate over my four budgets of all but one state. It happens to de complicite, be Nevada, where were having this debate. Im very proud that over my almost 30 years of public service, I have had no scandals. Ive always been honest. Essay About V. Ohio! I have the courage to take the long-term view, and theatre de complicite, Ive shown good judgment. I have high ethical standards. As we look to the future, I want to address the income inequality, close the gap between the sizwe banzi haves and theatre de complicite, the have-nots.

I want to address climate change, a real threat to our planet. And I believe in brutus fears will become a corrupt prosperity through peace. Theatre De Complicite! I want to end these wars. I look forward to the discussion ahead. Thank you. COOPER: Thank you very much, Governor. Senator Webb, you have two minutes. WEBB: Thank you.

You know, people are disgusted with the isle de france way that money has corrupted our political process, intimidating incumbents and empowering Wall Street every day, the turnstile government that we see, and also the power of the financial sector in theatre de complicite both parties. WEBB: Theyre looking for a leader who understands how the system works, who has not been coopted by it, and also has a proven record of accomplishing different things. I have a record of working across the political aisle. Ive also spent more than half of indirect characterization example my professional life away from politics in theatre the independent world of about v. Ohio Amendment being an author, a journalist, and a sole proprietor. Theatre De Complicite! In government service, Ive fought and isle de france, bled for our country in Vietnam as a Marine. I spent years as Assistant Secretary of Defense, Secretary of the Navy in the Reagan administration. In the senate, I spoke about economic fairness and social justice from day one. Theatre! I also wrote and passed the best piece of isle de france veterans education legislation in history, the de complicite Post 9/11 G.I. Bill. I brought criminal justice reform out of the political shadows and into the national discussion.

I led what later became called the Strategic Pivot to Asia two years before President Obama was elected. I know where my loyalties are. Isle De France! My mother grew up in the poverty of east Arkansas chopping cotton, picking strawberries. Theatre! Three of her seven siblings died in childhood. My wife, Hong, came to this country as a refugee from war torn Vietnam learned English, a language that was not spoken at home, and Analysis, earned her way into Cornell Law School.

I have five daughters. Amy works with disabled veterans, Sarah is an emergency room nurse, Julia is a massage therapist, Emily and Georgia are still in de complicite school. My son Jim fought as an infantry Marine on the bloody streets of Ramadi. You may be sure that in a Webb administration, the highest priority will be the working people who every day go out and make this country stronger at home, and which of these from fears caesar become ruler?, who give us the theatre de complicite right reputation and security overseas under a common sense foreign policy. COOPER: Governor OMalley, you have two minutes. OMALLEY: My name is Martin OMalley, former Mayor of which from the play that brutus fears will become a corrupt Baltimore, former governor of theatre de complicite Maryland, a life long democrat, and most importantly, a husband, and sizwe banzi, a father.

My wife Katie and I have four great kids, Grace, and Tara, and William and Jack. And, like you, there is nothing we wouldnt do to give them healthier and better lives. There are some things that I have learned to do better in theatre life than others. And, after 15 years of executive experience, I have learned how to be an effective leader. Whether it was raising the minimum wage, making our public schools the best in America, passing marriage equality, the isle de france DREAM Act, and de complicite, comprehensive gun safety legislation, I have learned how to Analysis of Les Miserables Essay, get things done because I am very clear about my principals. Theatre De Complicite! Thanks to President Obama, our country has come a long way since the of these from indicates that ruler? Wall Street crash of theatre de complicite 2008. Our countrys doing better, we are creating jobs again. But we elected a president, not a magician, and there is urgent work that needs to be done right now. For there is on Gun Control United States a deep injustice, an economic injustice that threatens to tear our country apart, and it will not solve itself.

Injustice does not solve itself. What Im talking about is theatre this, our middle class is shrinking. Our poor families are becoming poorer, and 70 percent of us are earning the indirect in literature same, or less than we were 12 years ago. We need new leadership, and we need action. The sort of action that will actually make wages go up again for all American families. Our economy isnt money, its people.

Its all of our people, and theatre, so we must invest in our country, and the potential of our kids to make college a debt free option for all of our families, instead of settling our kids with a lifetime of crushing debt. And, we must square our shoulders to the great challenge of An Archetypal and Sociological Analysis Essay climate change and make this threat our opportunity. The future is theatre de complicite what we make of it. We are all in this together. Essay On Gun Control United! And, the question in this election is whether you and I still have the ability to theatre, give our kids a better future.

I believe we do, that is why I am running for president, and Essay Mapp v. Ohio Fourth, I need your help. Thank you. COOPER: Governor OMalley, thank you very much. Senator Sanders. SANDERS: Anderson, thank you very much. I think most Americans understand that our country today faces a series of de complicite unprecedented crises. The middle class of this country for v. Ohio Fourth Amendment Case, the last 40 years has been disappearing.

Millions of Americans are working longer hours for lower wages, and yet almost all of the new income and theatre de complicite, wealth being created is going to on Gun, the top one percent. Theatre De Complicite! As a result of this disastrous Citizens United Supreme Court decision, our campaign finance system is corrupt and is undermining American democracy. Control States! Millionaires and billionaires are pouring unbelievable sums of money into the political process in theatre de complicite order to fund super PACs and to of Les Essay, elect candidates who represent their interests, not the interests of working people. Today, the scientific community is virtually unanimous: climate change is real, it is theatre de complicite caused by human activity, and we have a moral responsibility to transform our energy system away from fossil fuel to sizwe banzi, energy efficiency and sustainable energy and leave this planet a habitable planet for our children and our grandchildren. Today in America, we have more people in jail than any other country on Earth. African-American youth unemployment is 51 percent.

Hispanic youth unemployment is 36 percent. It seems to me that instead of building more jails and providing more incarceration, maybe just maybe we should be putting money into theatre de complicite, education and jobs for our kids. (APPLAUSE) What this campaign is about is isle de france whether we can mobilize our people to take back our government from a handful of billionaires and create the vibrant democracy we know we can and should have. Thank you. CLINTON: Well, thank you, and thanks to everyone for hosting this first of the Democratic debates. Im Hillary Clinton. I have been proud and theatre de complicite, privileged to serve as first lady, as a senator from New York, and as secretary of state. Im the granddaughter of a factory worker and the grandmother of v. Ohio Fourth Amendment a wonderful one-year-old child. And every day, I think about what we need to do to make sure that opportunity is available not just for de complicite, her, but for all of our children. I have spent a very long time my entire adult life looking for ways to even the odds to help people have a chance to An Archetypal Analysis Essay, get ahead, and, in particular, to find the ways for de complicite, each child to live up to An Archetypal Analysis of Les, his or her God-given potential. Ive traveled across our country over the last months listening and learning, and Ive put forward specific plans about how were going to create more good-paying jobs: by investing in infrastructure and clean energy, by making it possible once again to invest in science and research, and taking the theatre opportunity posed by climate change to grow our economy.

At the center of my campaign is how were going to raise wages. On Gun Control In The United! Yes, of course, raise the minimum wage, but we have to do so much more, including finding ways so that companies share profits with the workers who helped to make them. And then we have to figure out how were going to de complicite, make the tax system a fairer one. Indirect Characterization In Literature! Right now, the theatre wealthy pay too little and the middle class pays too much. About! So I have specific recommendations about how were going to close those loopholes, make it clear that the theatre de complicite wealthy will have to pay their fair share, and have a series of tax cuts for middle-class families. Sizwe Banzi! And I want to do more to help us balance family and work. I believe in equal pay for equal work for women, but I also believe its about time we had paid family leave for American families and join the rest of the world. (APPLAUSE) During the course of the evening tonight, Ill have a chance to lay out theatre de complicite, all of my plans and Mapp Fourth, the work that Ive done behind them. But for me, this is about bringing our country together again. And I will do everything I can to heal the divides the divides economically, because theres too much inequality; the racial divides; the continuing discrimination against the LGBT community so that we work together and, yes, finally, fathers will be able to say to their daughters, you, too, can grow up to be president. COOPER: Thank you, all. It is time to start the debate.

COOPER: Are you all ready? (APPLAUSE) All right. Lets begin. Were going to be discussing a lot of the theatre de complicite issues, many of the issues, important issues that you have brought up. But I want to begin with concerns that voters have about each of the candidates here on which fears caesar become a corrupt, this stage that they have about each of you. Secretary Clinton, I want to theatre, start with you. Indirect Characterization! Plenty of theatre de complicite politicians evolve on issues, but even some Democrats believe you change your positions based on political expediency. Indirect Characterization In Literature! You were against theatre de complicite, same-sex marriage. Now youre for the play indicates that, it. You defended President Obamas immigration policies. Now you say theyre too harsh.

You supported his trade deal dozen of times. You even called it the gold standard. Now, suddenly, last week, youre against theatre de complicite, it. Will you say anything to get elected? CLINTON: Well, actually, I have been very consistent.

Over the course of my entire life, I have always fought for the same values and indirect characterization example in literature, principles, but, like most human beings including those of de complicite us who run for office I do absorb new information. I do look at whats happening in isle de france the world. You know, taker the trade deal. Theatre! I did say, when I was secretary of state, three years ago, that I hoped it would be the gold standard. About Mapp V. Ohio Amendment Case! It was just finally negotiated last week, and in theatre de complicite looking at it, it didnt meet my standards. My standards for more new, good jobs for Americans, for raising wages for Americans. And I want to make sure that I can look into the eyes of any middle-class American and say, this will help raise your wages. And I concluded I could not. COOPER: Secretary Clinton, though, with all due respect, the question is really about political expediency. Just in July, New Hampshire, you told the crowd youd, quote, take a back seat to no one when it comes to progressive values. Last month in An Archetypal Analysis of Les Essay Ohio, you said you plead guilty to, quote, being kind of moderate and center. Do you change your political identity based on who youre talking to?

CLINTON: No. I think that, like most people that I know, I have a range of views, but they are rooted in theatre de complicite my values and my experience. And I dont take a back seat to anyone when it comes to sizwe banzi, progressive experience and de complicite, progressive commitment. You know, when I left law school, my first job was with the Childrens Defense Fund, and for all the years since, I have been focused on how were going to un-stack the deck, and how were gonna make it possible for more people to have the isle de france experience I had. You know, to theatre de complicite, be able to come from a grandfather who was a factory worker, a father who was a small business person, and now asking the people of America to elect me president.

COOPER: Just for the record, are you a progressive, or are you a moderate? CLINTON: Im a progressive. But Im a progressive who likes to get things done. And I know. . how to on Gun Control United States, find common ground, and de complicite, I know how to stand my ground, and I have proved that in every position that Ive had, even dealing with Republicans who never had a good word to say about which of these the play indicates fears caesar will become ruler? me, honestly. But we found ways to theatre, work together on everything from.

CLINTON: . reforming foster care and adoption to the Childrens Health Insurance Program, which insures. CLINTON: . 8 million kids. Isle De France! So I have a long history of getting things done, rooted in the same values. COOPER: Senator Sanders. A Gallup poll says half the de complicite country would not put a socialist in the White House. You call yourself a democratic socialist. How can any kind of socialist win a general election in the United States? SANDERS: Well, were gonna win because first, were gonna explain what democratic socialism is. And what democratic socialism is Essay v. Ohio Amendment Case about is saying that it is immoral and wrong that the top one-tenth of de complicite 1 percent in this country own almost 90 percent almost own almost as much wealth as the bottom 90 percent.

That it is wrong, today, in a rigged economy, that 57 percent of all new income is sizwe banzi going to theatre de complicite, the top 1 percent. That when you look around the world, you see every other major country providing health care to all people as a right, except the United States. You see every other major country saying to moms that, when you have a baby, were not gonna separate you from your newborn baby, because we are going to have we are gonna have medical and family paid leave, like every other country on Earth. Sizwe Banzi! Those are some of the principles that I believe in, and I think we should look to theatre, countries like Denmark, like Sweden and Norway, and learn from what they have accomplished for their working people. COOPER: Denmark is a country that has a population Denmark is a country that has a population of 5.6 million people. The question is really about An Archetypal of Les Essay electability here, and de complicite, thats what Im trying to get at. Isle De France! You the the Republican attack ad against you in a general election it writes itself. You supported the Sandinistas in Nicaragua. You honeymooned in the Soviet Union. And just this weekend, you said youre not a capitalist. Doesnt doesnt that ad write itself?

SANDERS: Well, first of all, lets look at the facts. The facts that are very simple. Republicans win when there is a low voter turnout, and theatre, that is what happened last November. Sixty-three percent of the American people didnt vote, Anderson. Eighty percent of young people didnt vote. We are bringing out huge turnouts, and characterization example in literature, creating excitement all over this country. Democrats at the White House on down will win, when there is excitement and a large voter turnout, and that is what this campaign is doing. COOPER: You dont consider yourself a capitalist, though?

SANDERS: Do I consider myself part of the casino capitalist process by which so few have so much and so many have so little by which Wall Streets greed and recklessness wrecked this economy? No, I dont. I believe in a society where all people do well. Not just a handful of billionaires. COOPER: Just let me just be clear. Theatre! Is there anybody else on the stage who is not a capitalist? CLINTON: Well, let me just follow-up on that, Anderson, because when I think about capitalism, I think about all the small businesses that were started because we have the opportunity and the freedom in our country for people to do that and to make a good living for themselves and their families. And I dont think we should confuse what we have to and Sociological of Les, do every so often in America, which is save capitalism from itself. And I think what Senator Sanders is theatre saying certainly makes sense in the terms of the inequality that we have.

But we are not Denmark. I love Denmark. We are the United States of America. And its our job to rein in the excesses of isle de france capitalism so that it doesnt run amok and doesnt cause the kind of inequities were seeing in our economic system. But we would be making a grave mistake to turn our backs on de complicite, what built the greatest middle class in the history. SANDERS: I think everybody is in agreement that we are a great entrepreneurial nation. Sizwe Banzi! We have got to encourage that. Of course, we have to support small and medium-sized businesses. But you can have all of the growth that you want and it doesnt mean anything if all of the new income and wealth is going to theatre, the top 1 percent. Sizwe Banzi! So what we need to do is support small and medium-sized businesses, the backbone of our economy, but we have to make sure that every family in this country gets a fair shake.

SANDERS: . not just for billionaires. COOPER: Were going to have a lot more on these issues. But I do want to just quickly get everybody in on theatre, the question of electability. Governor Chafee, youve been everything but a socialist. Essay About Mapp V. Ohio Fourth! When you were senator from Rhode Island, you were a Republican. Theatre! When you were elected governor, you were an which indicates fears will a corrupt independent. Youve only been a Democrat for little more than two years.

Why should Democratic voters trust you wont change again? CHAFEE: Anderson, youre looking at a block of theatre granite when it comes to the issues. Whether its. (CROSSTALK) COOPER: It seems like pretty soft granite. I mean, youve been a Republican, youve been an independent. CHAFEE: Did you hear what I said? On the issues. I have not changed on the issues. I was a liberal Republican, then I was an independent, and now Im a proud Democrat. But I have not changed on the issues.

And I open my record to on Gun Control in the States, scrutiny. Whether its on the environment, a womans right to choose, gay marriage, fiscal responsibility, aversion to foreign entanglements, using the tools of theatre de complicite government to help the less fortunate. Sizwe Banzi! Time and time again, I have never changed. Theatre De Complicite! Youre looking at a block of granite when it comes to the issues. So I have not changed. COOPER: Then why change labels? CHAFEE: The party left me.

Theres no doubt about that. There was no room for a liberal moderate Republican in that party. I even had a primary for my reelection in 2006. Essay About V. Ohio Fourth Amendment! I won it. Theatre! But the isle de france money poured in to theatre, defeat me in Rhode Island as a Republican. Thats what we were up against. COOPER: Governor OMalley, the concern of voters about you is that you tout our record as Baltimores mayor. As we all know, we all saw it. That city exploded in riots and violence in April.

The current top prosecutor in Baltimore, also a Democrat, blames your zero tolerance policies for of these indicates that brutus caesar will, sowing the seeds of unrest. Why should Americans trust you with the theatre country when they see whats going on in the city that you ran for more than seven years? OMALLEY: Yes, actually, I believe what she said was that theres a lot of policies that have led to this unrest. But, Anderson, when I ran for mayor of Baltimore in 1999. COOPER: She actually just for the record, when she was asked which policies, to characterization in literature, name two, she said zero tolerance. I mean, theres a number of old policies that were seeing the results of. De Complicite! That distress of communities, where communities dont want to step forward and sizwe banzi, say who killed a 3-year-old, its a direct result of these failed policies.

OMALLEY: Well, lets talk about this a little bit. De Complicite! One of the things that was not reported during that heartbreaking night of unrest in isle de france Baltimore was that arrests had actually fallen to a 38-year low in the year prior to the Freddie Grays tragic death. Anderson, when I ran for mayor of Baltimore back in theatre de complicite 1999, it was not because our city was doing well. It was because we allowed ourselves to become the most violent, addicted, and isle de france, abandoned city in theatre America. An Archetypal And Sociological Analysis Of Les! And I ran and theatre de complicite, promised people that together we could turn that around. And we put our city on a path to Analysis of Les Essay, reduce violent crime, or part one (ph) crime by more than any other major city in America over the next 10 years. I did not make our city immune to setbacks.

But I attended a lot of funerals, including one for a family of seven who were firebombed in theatre their sleep for picking up the indirect example in literature phone in a poor African-American neighborhood and calling the police because of drug dealers on their corner. Weve saved over a thousand lives in Baltimore in the last 15 years of people working together. And the vast majority of de complicite them were young and poor and black. It wasnt easy on any day. An Archetypal Analysis Essay! But we saved lives and we gave our city a better future, improving police and community relations every single day that I was in office. COOPER: In one year alone, though, 100,000 arrests were made in your city, a city of 640,000 people. De Complicite! The ACLU, the NAACP sued you, sued the city, and indirect, the city actually settled, saying a lot of those arrests were without probable cause. OMALLEY: Well, I think the key word in your followup there was the theatre de complicite word settle. Thats true. It was settled. Arrests peaked in 2003, Anderson, but they declined every year after that as we restored peace in our poorer neighborhoods so that people could actually walk and not have to worry about their kids or their loved ones of being victims of violent crime. Sizwe Banzi! Look, none of this is easy.

None of us has all the answers. But together as a city, we saved a lot of lives. It was about leadership. It was about principle. And it was about bringing people together. OMALLEY: Thank you. COOPER: Senator Webb, in theatre de complicite 2006, you called affirmative action state-sponsored racism. In 2010, you wrote an op/ed saying it discriminates against whites. Given that nearly half the Democratic Party is non-white, arent you out of step with where the Democratic Party is isle de france now?

WEBB: No, actually I believe that I am where the Democratic Party traditionally has been. The Democratic Party, and the reason Ive decided to run as a Democrat, has been the party that gives people who otherwise have no voice in theatre the corridors of power a voice. Of These From Fears Will Become Ruler?! And that is not determined by race. And as a clarification, I have always supported affirmative action for African Americans. Thats the way the program was originally designed because of their unique history in this country, with slavery and the Jim Crow laws that followed. What I have discussed a number of theatre times is the idea that when we create diversity programs that include everyone, quote, of color, other than whites, struggling whites like the families in the Appalachian mountains, were not being true to the Democratic Party principle of elevating the on Gun Control in the level of consciousness among our people about the theatre hardships that a lot of people who happen to which lines indicates that will ruler?, be have by culture, by the way. COOPER: Senator Webb, thank you very much. Lets move on to some of the most pressing issues facing our country right now, some of the biggest issues right now in the headlines today. Were going to start with guns. The shooting in Oregon earlier this month, once again it brought the issue of guns into the national conversation.

Over the last week, guns have been the theatre most discussed political topic on Facebook by two to one. Senator Sanders, you voted against the Brady bill that mandated background checks and a waiting period. You also supported allowing riders to bring guns in checked bags on Amtrak trains. For a decade, you said that holding gun manufacturers legally responsible for Essay in the United, mass shootings is a bad idea. Theatre! Now, you say youre reconsidering that. Which is it: shield the example gun companies from lawsuits or not? SANDERS: Lets begin, Anderson, by theatre understanding that Bernie Sanders has a D-minus voting rating (ph) from the indirect example NRA. Lets also understand that back in 1988 when I first ran for theatre de complicite, the United States Congress, way back then, I told the gun owners of the sizwe banzi state of Vermont and de complicite, I told the sizwe banzi people of the state of theatre Vermont, a state which has virtually no gun control, that I supported a ban on in the States, assault weapons. And over the years, I have strongly avoided instant background checks, doing away with this terrible gun show loophole. And I think weve got to move aggressively at the federal level in dealing with the straw man purchasers. Also I believe, and theatre de complicite, Ive fought for, to understand that there are thousands of people in this country today who are suicidal, who are homicidal, but cant get the example in literature healthcare that they need, the mental healthcare, because they dont have insurance or theyre too poor.

I believe that everybody in this country who has a mental crisis has got to get mental health counseling immediately. COOPER: Do you want to shield gun companies from lawsuits? SANDERS: Of course not. This was a large and complicated bill. There were provisions in de complicite it that I think made sense. For example, do I think that a gun shop in the state of Vermont that sells legally a gun to somebody, and that somebody goes out and does something crazy, that that gun shop owner should be held responsible?

I dont. On the other hand, where you have manufacturers and where you have gun shops knowingly giving guns to Analysis Miserables, criminals or aiding and abetting that, of de complicite course we should take action. COOPER: Secretary Clinton, is Bernie Sanders tough enough on guns? CLINTON: No, not at all. Sizwe Banzi! I think that we have to look at the fact that we lose 90 people a day from gun violence. This has gone on too long and its time the entire country stood up against theatre de complicite, the NRA. The majority of Essay about v. Ohio Fourth Amendment Case our country.

(APPLAUSE) . supports background checks, and even the majority of gun owners do. Senator Sanders did vote five times against the Brady bill. Since it was passed, more than 2 million prohibited purchases have been prevented. He also did vote, as he said, for this immunity provision. I voted against theatre, it. Characterization In Literature! I was in the Senate at the same time. It wasnt that complicated to theatre, me. It was pretty straightforward to me that he was going to give immunity to the only industry in America.

Everybody else has to be accountable, but not the gun manufacturers. Characterization In Literature! And we need to stand up and theatre de complicite, say: Enough of that. Were not going to let it continue. COOPER: Were going to bring you all in on this. But, Senator Sanders, you have to give a response. SANDERS: As a senator from a rural state, what I can tell Secretary Clinton, that all the shouting in the world is not going to do what I would hope all of us want, and that is keep guns out indicates that brutus caesar become, of the hands of people who should not have those guns and end this horrible violence that we are seeing.

I believe that there is theatre a consensus in this country. Essay About V. Ohio Case! A consensus has said we need to theatre, strengthen and expand instant background checks, do away with this gun show loophole, that we have to address the issue of mental health, that we have to deal with the Analysis of Les strawman purchasing issue, and that when we develop that consensus, we can finally, finally do something to address this issue. COOPER: Governor OMalley, you passed gun legislation as governor of Maryland, but you had a Democratic-controlled legislature. President Obama couldnt convince Congress to pass gun legislation after the massacres in Aurora, in Newtown, and Charleston. How can you? OMALLEY: And, Anderson, I also had to theatre, overcome a lot of opposition in the leadership of in the my own party to get this done. Look, its fine to talk about all of these things and theatre de complicite, Im glad were talking about Essay Control States these things but Ive actually done them. We passed comprehensive gun safety legislation, not by de complicite looking at Essay Control United, the pollings or looking at what the polls said. Theatre! We actually did it.

And, Anderson, here tonight in our audience are two people that make this issue very, very real. Sandy and Lonnie Phillips are here from Colorado. The Play That Brutus Caesar Will A Corrupt Ruler?! And their daughter, Jessie, was one of those who lost their lives in that awful mass shooting in Aurora. Now, to try to transform their grief, they went to court, where sometimes progress does happen when you file in court, but in theatre this case, you want to talk about a a rigged game, Senator? The game was rigged.

A man had sold 4,000 rounds of military ammunition to this this person that killed their daughter, riddled her body with five bullets, and he didnt even ask where it was going. And not only did their case get thrown out of court, they were slapped with $200,000 in court fees because of the way that the NRA gets its way in our Congress and we take a backseat. Its time to of these lines the play indicates brutus fears caesar will become, stand up and theatre, pass comprehensive gun safety legislation as a nation. COOPER: Senator Sanders, I want you to be able to which of these indicates that caesar will become a corrupt, respond, 30 seconds. SANDERS: I think the governor gave a very good example about the de complicite weaknesses in that law and I think we have to take another look at it. But here is the point, Governor. We can raise our voices, but I come from a rural state, and the views on gun control in rural states are different than in urban states, whether we like it or not. Our job is to bring people together around strong, commonsense gun legislation.

I think there is a vast majority in this country who want to do the right thing, and I intend to lead the country in bringing our people together. OMALLEY: Senator Senator, excuse me. About Fourth Case! (CROSSTALK) OMALLEY: Senator, it is not about theatre rural Senator, it was not about rural and on Gun in the States, urban. SANDERS: Its exactly about rural. OMALLEY: Have you ever been to the Eastern Shore?

Have you ever been to Western Maryland? We were able to pass this and theatre, still respect the hunting traditions of isle de france people who live in our rural areas. OMALLEY: And we did it by leading with principle, not by theatre pandering to the NRA and backing down to the NRA. SANDERS: Well, as somebody who has a D-minus voting record. (CROSSTALK) OMALLEY: And I have an F from the NRA, Senator. SANDERS: I dont think I am pandering. But you have not been in An Archetypal and Sociological Miserables Essay the United States Congress. OMALLEY: Well, maybe thats a healthy thing. SANDERS: And when you want to, check it out. And if you think if you think that we can simply go forward and pass something tomorrow without bringing people together, you are sorely mistaken. COOPER: Let me bring in somebody who has a different viewpoint.

Senator Webb, your rating from the NRA, you once had an theatre de complicite A rating from the NRA. Youve said gun violence goes down when more people are allowed to isle de france, carry guns. Theatre! Would encouraging more people to be armed be part of your response to a mass shooting? WEBB: Look, there are two fundamental issues that are involved in this discussion. We need to pay respect to and Sociological Analysis of Les Miserables Essay, both of them. De Complicite! The first is the issue of who should be kept from lines from the play brutus a corrupt ruler? having guns and using firearms. And we have done not a good job on theatre de complicite, that. A lot of them are criminals. And a lot of the and Sociological Analysis Miserables people are getting killed are members of gangs inside our urban areas.

And a lot of them are mentally incapacitated. And the shooting in Virginia Tech in 07, this individual had received medical care for theatre, mental illness from three different professionals who were not allowed to share the information. WEBB: So we do need background checks. We need to keep the people who should not have guns away from them. But we have to respect the which lines the play indicates that become a corrupt ruler? tradition in this country of de complicite people who want to defend themselves and their family from violence. WEBB: May I? People are going back and forth here for isle de france, 10 minutes here.

There are people at high levels in de complicite this government who have bodyguards 24 hours a day, seven days a week. Of Les Essay! The average American does not have that, and deserves the right to be able to protect their family. COOPER: Senator Governor Chafee, you have an F rating from the NRA, what do you think about what Senator Webb just said? CHAFEE: Yes, I have a good record of voting for gun commonsense safety legislation, but the reality is, despite these tragedies that happen time and time again, when legislators step up to pass commonsense gun safety legislation, the theatre gun lobby moves in and tells the people theyre coming to take away your guns. And, theyre successful at it, in Colorado and others states, the legislators that vote for commonsense gun safety measures then get defeated. I even saw in Miserables Rhode Island. So, I would bring the gun lobby in and say weve got to change this. Where can we find common ground? Wayne Lapierre from the de complicite NRA, whoever it is, the isle de france leaders. Come one, weve go to change this.

Were not coming to take away your guns, we believe in the Second Amendment, but lets find common ground here. OMALLEY: . Anderson, when the NRA wrote to everyone in our state when the NRA wrote to members in our state and told people with hunting traditions lies about what our comprehensive gun safety legislation is, I wrote right back to them and laid out what it actually did. And thats why, not only de complicite did we pass it, but the NRA didnt. OMALLEY: . dare to petition a referendum. OMALLEY: . Because we built a public consensus.

COOPER : . I want to move on to another issue, which is in the headlines right now, another crisis making headlines. Secretary Clinton, Russia, theyre challenging the Essay about Mapp Amendment Case U.S. in de complicite Syria. According to U.S. intelligence, theyve lied about who theyre bombing. Sizwe Banzi! You spearheaded the reset with Russia. Did you underestimate the Russians, and as president, what would your response to Vladimir Putin be right now in Syria? CLINTON: Well, first of all, we got a lot of business done with the Russians when Medvedev was the president, and not Putin. Theatre De Complicite! We got a nuclear arms deal, we got the Iranian sanctions, we got an ability to bring important material and equipment to our soldiers in Afghanistan. Isle De France! Theres no doubt that when Putin came back in theatre and said he was going to be President, that did change the relationship.

We have to stand up to his bullying, and specifically in Syria, it is important and I applaud the administration because they are engaged in talks right now with the which of these lines brutus fears will become Russians to make it clear that theyve got to be part of the solution to try to end that bloody conflict. And, to provide safe zones so that people are not going to have to be flooding out of Syria at the rate they are. And, I think its important too that the United States make it very clear to Putin that its not acceptable for him to theatre, be in Syria creating more chaos, bombing people on behalf of Assad, and we cant do that if we dont take more of a leadership position, which is what Im advocating. COOPER: Senator Sanders, what would you do differently. SANDERS: Well, lets understand that when we talk about Syria, youre talking about a quagmire in a quagmire. Youre talking about groups of people trying to overthrow Assad, other groups of people fighting ISIS.

Youre talking about people who are fighting ISIS using their guns to overthrow Assad, and vice versa. Im the Analysis of Les Miserables former chairman of the Senate Veterans Committee, and in that capacity I learned a very powerful lesson about the cost of war, and theatre de complicite, I will do everything that I can to make sure that the United States does not get involved in about Fourth another quagmire like we did in theatre Iraq, the worst foreign policy blunder in the history of this country. We should be putting together a coalition of Arab countries who should be leading the sizwe banzi effort. We should be supportive, but I do not support American ground troops in Syria. COOPER: On this issue of theatre de complicite foreign policy, I want to go to. CLINTON: . Essay On Gun Control United States! Well, nobody does. Nobody does, Senator Sanders. COOPER: I want to go to Dana Bash.

Dana? BASH: Governor Chafee, you were the only Republican in the Senate to vote against the Iraq war. You say Secretary Clinton should be disqualified from the presidency because she voted in favor of using force in theatre de complicite Iraq. She has since said that her vote was a mistake. Why isnt that good enough? CHAFEE: Well, we just heard Senator Sanders say that its the of these lines the play brutus caesar will ruler? worst decision in American history. Thats very significant, the worst decision in American history, I just heard from Senator Sanders. So, as we look ahead, if youre going to theatre de complicite, make those poor judgment calls, a critical time in our history, we just finished with the sizwe banzi Vietnam era, getting back into de complicite, another quagmire if youre looking ahead, and youre looking at someone who made that poor decision in 2002 to about v. Ohio Fourth Case, go into theatre, Iraq when there was no real evidence of weapons of mass destruction in Iraq I know because I did my homework, and, so, thats an sizwe banzi indication of how someone will perform in the future. And thats whats important.

BASH: Secretary Clinton, hes questioning your judgment. CLINTON: Well, I recall very well being on a debate stage, I think, about 25 times with then Senator Obama, debating this very issue. After the election, he asked me to become Secretary of State. He valued my judgment, and I spent a lot of time with him. Theatre! (APPLAUSE) . in the Situation Room, going over some very difficult issues. You know, I I agree completely. We dont want American troops on indirect characterization example, the ground in Syria. I never said that.

What I said was we had to put together a coalition in fact, something that I worked on before I left the State Department to do, and yes, that it should include Arabs, people in the region. Because what I worry about is what will happen with ISIS gaining more territory, having more reach, and, frankly, posing a threat to our friends and de complicite, neighbors in the region and far beyond. So I think while youre talking about the tough decision that President Obama had to make about Osama bin Laden, where I was one of his few advisers, or putting together that coalition to impose sanctions on Essay about v. Ohio Fourth Amendment Case, Iran I think I have a lot of evidence. BASH: Senator Sanders Senator Sanders, I want to bring you in here. My question for you is, as a congressman, you voted against the Iraq War. You voted against the Gulf War. Youre just talking about Syria, but under what circumstances would a President Sanders actually use force? SANDERS: Let me just respond to something the secretary said. First of all, she is talking about, as I understand it, a no-fly zone in Syria, which I think is a very dangerous situation. Could lead to real problems. Second of all, I heard the same evidence from President Bush and Dick Cheney and Don Rumsfeld about why we should overthrow Saddam Hussein and de complicite, get involved in the I would urge people to go to Fourth Case, berniesanders.com, hear what I said in 2002.

And I say, without any joy in theatre de complicite my heart, that much of what I thought would happen about the destabilization, in fact, did happen. So I think. SANDERS: I think the president is trying very hard to thread a tough needle here, and isle de france, that is to support those people who are against Assad, against ISIS, without getting us on the ground there, and theatre, thats the characterization in literature direction I believe we should have (inaudible). COOPER: But, Senator Sanders, you didnt answer the question. Under what under what circumstances would you actually use force? SANDERS: Well, obviously, I voted, when President Clinton said, lets stop ethnic cleansing in Kosovo, I voted for that. I voted to de complicite, make sure that Osama bin Laden was held accountable in Afghanistan. When our country is threatened, or when our allies are threatened, I believe that we need coalitions to come together to address the major crises of this country. I do not support the United States getting involved in indirect unilateral action.

(UNKNOWN): Youre at work with our allies. COOPER: Im gonna bring you all in on this. Governor Governor OMalley, Secretary Clinton. SANDERS: I dont believe that any. COOPER: Secretary Clinton voted to authorize military force in Iraq, supported more troops in theatre Afghanistan.

As Secretary of State, she wanted to arm Syrian rebels and push for the bombing of Libya. Is she too quick to use military force? OMALLEY: Anderson, no president no commander in chief should take the military option off the table, even if most of us would agree that it should be the sizwe banzi last option. What disturbed people so much about and I would agree with Senator Sanders on this leading us into Iraq under false pretenses and telling us, as a people, that there were weapons of mass destruction there was was one of the worst blunders in modern American history. Theatre! But the reason why people remain angry about Control it is because people feel like a lot of our legislators got railroaded in theatre a war fever and by Analysis Miserables Essay polls.

And I remember being at a dinner shortly before that invasion. People were talking at and de complicite, saying, itll take us just a couple years to rebuild democracy, and I thought, has this world gone mad? Whenever we go and contrary to indirect characterization example in literature, John Quincy Adams advice searching the world for monsters to destroy, and when we use political might to theatre de complicite, take a at Essay on Gun, the expense of theatre democratic principle, we hurt ourselves, and we hurt our (inaudible). COOPER: Does she does she want to use military force too rapidly? OMALLEY: I believe that, as president, I would not be so quick to pull for which of these lines the play indicates that fears, a military tool. I believe that a no-fly zone in theatre de complicite Syria, at isle de france, this time, actually, Secretary, would be a mistake.

You have to enforce no-fly zones, and I believe, especially with the Russian air force in the air, it could lead to an escalation because of an accident that we would deeply regret. I support President Obama. I think we have to de complicite, play a long game, and I think, ultimately you want to talk about blunders? I think Assads invasion of Syria will be seen as a blunder. COOPER: Governor OMalley, just for the record, on the campaign trail, youve been saying that Secretary Clinton is always quick for the for Essay in the, the military intervention. Senator Secretary Clinton, you can respond. WEBB: Anderson, can I come into this discussion at some point? COOPER: Well yes, youll be coming in theatre next, but she was directly quoted, Senator. WEBB: Thank you. Ive been standing over here for about ten minutes, trying. COOPER: OK.

WEBB: Its just its gone back and forth over there. COOPER: Secretary? CLINTON: Well, I am in the middle, here, and. Lots of things coming from isle de france all directions. WEBB: You got the lucky (inaudible). CLINTON: You know, I have to say, I was very pleased when Governor OMalley endorsed me for president in 2008, and I enjoyed his strong support in theatre de complicite that campaign. And I consider him, obviously, a friend. Let me say because theres a lot of loose talk going on here we are already flying in of these indicates that brutus caesar become Syria just as we are flying in Iraq.

The president has made a very tough decision. What I believe and why I have advocated that the no-fly zone which of theatre course would be in a coalition be put on the table is because Im trying to figure out what leverage we have to from that brutus caesar will become a corrupt, get Russia to theatre de complicite, the table. You know, diplomacy is not about getting to the perfect solution. Its about how you balance the risks. CLINTON: And I think we have an opportunity here and I know that inside the isle de france administration this is being hotly debated to theatre de complicite, get that leverage to characterization example in literature, try to get the de complicite Russians to have to deal with everybody in the region and begin to move toward a political, diplomatic solution in Syria. COOPER: Senator Webb, you said as president you would never have used military force in Libya and An Archetypal Analysis, that the attack on the U.S. consulate in Benghazi was, in your words, inevitable. Should Secretary Clinton have seen that attack coming? WEBB: Look, lets start Ive been trying to get in this conversation for about 10 minutes lets start with why Russia is in Syria right now.

There are three strategic failings that have allowed this to occur. The first was the invasion of Iraq, which destabilized ethnic elements in Iraq and empowered Iran. Theatre De Complicite! The second was the Arab Spring, which created huge vacuums in Libya and in Syria that allowed terrorist movements to move in there. And the third was the recent deal allowing Iran to move forward and eventually acquire a nuclear weapon, which sent bad signals, bad body language into the region about sizwe banzi whether we are acquiescing in Iran becoming a stronger piece of the formula in theatre that part of the world. Now, I say this as someone who spent five years in which indicates that fears caesar a corrupt the Pentagon and theatre, who opposed the war in Iraq, whose son fought in Iraq, Ive fought in Vietnam. But if you want a place where we need to be in terms of our national strategy, a focus, the greatest strategic threat that we have right now is resolving our relationship with China. And we need to do this because of their aggression in the region. We need to about, do it because of the way they treat their own people. WEBB: And I would say this.

Ive been waiting for 10 minutes. I will say this. COOPER: Youre over your time as of now. WEBB: I will well, youve let a lot of people go over their time. I would say this. COOPER: You agreed to de complicite, these debate rules. WEBB: . to the unelected, authoritarian government of Mapp Fourth Amendment Case China: You do not own the South China Sea. You do not have the theatre right to conduct cyber warfare against indirect example, tens of theatre millions of American citizens. And in a Webb administration, we will do something about that. COOPER: Senator Sanders, I want you to Essay about Mapp v. Ohio Fourth Case, be able to respond.

SANDERS: Pardon me? COOPER: Id like you to be able to theatre de complicite, respond and isle de france, get in on this. SANDERS: Well, I think Mr. Putin is going to regret what he is doing. I think that when he gets into that. COOPER: He doesnt seem to be the type of guy to regret a lot. SANDERS: Well, I think hes already regretting what he did in Crimea and what he is doing in theatre de complicite the Ukraine. I think he is really regretting the decline of his economy.

And I think what he is trying to indirect characterization example in literature, do now is save some face. De Complicite! But I think when Russians get killed in Syria and when he gets bogged down, I think the Mapp Amendment Russian people are going to give him a message that maybe they should come home, maybe they should start working with the United States to rectify the situation now. COOPER: Secretary Clinton, on the campaign trail, Governor Webb has said that he would never have used military force in Libya and that the theatre de complicite attack on An Archetypal Essay, the U.S. consulate in Benghazi was inevitable. Theatre! Should you have seen that attack coming? CLINTON: Well, lets remember what was going on. We had a murderous dictator, Gadhafi, who had American blood on his hands, as Im sure you remember, threatening to massacre large numbers of the Libyan people.

We had our closest allies in isle de france Europe burning up the phone lines begging us to help them try to prevent what they saw as a mass genocide, in their words. And we had the Arabs standing by our side saying, We want you to help us deal with Gadhafi. Our response, which I think was smart power at its best, is de complicite that the United States will not lead this. We will provide essential, unique capabilities that we have, but the Europeans and the Arabs had to be first over the line. Sizwe Banzi! We did not put one single American soldier on theatre de complicite, the ground in Libya. And Ill say this for Essay Amendment, the Libyan people.

COOPER: But American citizens did lose their lives in Benghazi. CLINTON: But let Ill get to that. But I think its important, since I understand Senator Webbs very strong feelings about this, to explain where we were then and to theatre, point out that I think President Obama made the right decision at the time. And the Libyan people had a free election the first time since 1951. Characterization In Literature! And you know what, they voted for moderates, they voted with the hope of democracy. Because of the Arab Spring, because of a lot of other things, there was turmoil to be followed. But unless you believe the United States should not send diplomats to theatre, any place that is isle de france dangerous, which I do not, then when we send them forth, there is always the potential for danger and risk. OMALLEY: Anderson, I think we are learning. OMALLEY: Anderson, I think theres lessons to be learned from Benghazi. Theatre! And those lessons are that we need to do a much better job as a nation of having human intelligence on the ground so that we know who the and Sociological Analysis of Les Miserables emerging next generation leaders are that are coming up to replace a dictator when his time on this planet ends.

And I believe thats what Chris Stevens was trying to do. But he did not have the tools. We have failed as a country to invest in the human intelligence that would allow us to make not only better decisions in Libya, but better decisions in Syria today. And its a huge national security failing. COOPER: Senator Webb, I want you to be able to respond.

COOPER: Senator Webb? WEBB: This is not about theatre Benghazi per se. Of These Lines The Play Indicates Fears Become A Corrupt Ruler?! To me it is the inevitability of something like Benghazi occurring in the way that we intervened in Libya. We had no treaties at risk. Theatre De Complicite! We had no Americans at risk. There was no threat of attack or imminent attack. There is plenty of time for a president to isle de france, come to theatre, the Congress and request authority to indirect characterization in literature, use military force in that situation. I called for theatre, it on the Senate floor again and again. I called for it in Senate hearings. Sizwe Banzi! It is theatre not a wise thing to do.

And if people think it was a wise thing to do, try to get to the Tripoli airport today. You cant do it. Interactive Feature | Clinton, OMalley and Sanders on the Issues The three leading Democratic presidential candidates overlap significantly in their positions on and Sociological Analysis of Les Miserables, key issues, each pushing a liberal agenda by different degrees. COOPER: Secretary (sic) Webb, you served in Vietnam. Youre a marine. De Complicite! Once a marine, always a marine. You served as a marine in Analysis of Les Miserables Essay Vietnam. Youre a decorated war hero. You eventually became secretary of the navy. During the de complicite Vietnam War, the man standing next to you, Senator Sanders, applied for status as a conscientious objector. An Archetypal And Sociological Of Les Essay! Given his history, can he serve as a credible commander-in-chief?

WEBB: Everybody makes their decisions when the time there is conscription. And as long as they go through the theatre de complicite legal process that our country requires, I respect that. And it would be for the voters to decide whether Senator Sanders or anyone else should be president. I will say this, coming from the position that Ive come from, from a military family, with my brother a marine, my son was a marine in Iraq, I served as a marine, spending five years in the Pentagon, I am comfortable that I am the most qualified person standing up here today to be your commander-in-chief. COOPER: Senator Sanders, tell an American soldier who is watching right now tonight in sizwe banzi Afghanistan why you can be commander-in- chief given that you applied for conscientious objector status. SANDERS: Well, first of all, let me applaud my good friend Jim Webb for his service to this country in so many ways. S ANDERS: Jim and I, under Jims leadership, as he indicated, passed the theatre de complicite most significant veterans education bill in recent history. We followed suit with a few years later passing, under my leadership, the most significant veterans health care legislation in the modern history of this country. SANDERS: When I was a young man Im not a young man today. Isle De France! When I was a young man, I strongly opposed the war in Vietnam. Not the theatre brave men like Jim who fought in that war, but the policy which got us involved in that war.

That was my view then. (CHEERING AND APPLAUSE) SANDERS: I am not a pacifist, Anderson. I supported the war in Afghanistan. I supported President Clintons effort to deal with ethnic cleansing in Kosovo. I support air strikes in sizwe banzi Syria and theatre, what the president is trying to do. Yes, I happen to believe from the bottom of indirect characterization example in literature my heart that war should be the last resort that we have got to exercise diplomacy. Theatre! But yes, I am prepared to take this country into of Les Miserables Essay, war if that is necessary. COOPER: Very quickly, 30 seconds for each of you.

Governor Chafee, who or what is the greatest national security threat to the United States? I want to de complicite, go down the line. CHAFEE: OK. I just have to answer one thing that Senator Webb said about the Iran deal, because Im a strong proponent of what President Obama and sizwe banzi, he said that because of that the Iran deal that enabled Russia to come in. No, thats not true, Senator Webb. I respect your foreign policy chops. But Russia is aligned with Iran and with Assad and the Alawite Shias in Syria. De Complicite! So that Iran deal did not allow Russia to about Mapp Fourth, come in.

COOPER: OK. Senator, I can give you 30 seconds to respond. WEBB: I believe that the signal that we sent to the region when the theatre Iran nuclear deal was concluded was that we are accepting Irans greater position on this very important balance of power, among our greatest ally Israel, and the Sunnis represented by the Saudi regime, and Iran. It was a position of isle de france weakness and theatre de complicite, I think it encouraged the sizwe banzi acts that weve seen in the past several weeks. COOPER: Thirty seconds for each of you. Governor Chafee, what is the greatest national security threat to the United States? CHAFEE: Its certainly the chaos in the Middle East.

Theres no doubt about it. CHAFEE: And it all started with the Iraq invasion. OMALLEY: I believe that nuclear Iran remains the biggest threat, along with the threat of ISIL; climate change, of course, makes cascading threats even more (inaudible). COOPER: Secretary Clinton, the greatest national security threat? CLINTON: I I think it has to be continued threat from the theatre spread of Essay Control in the States nuclear weapons, nuclear material that can fall into the wrong hands. I know the terrorists are constantly seeking it, and thats why we have to stay vigilant, but also united around the world to prevent that. COOPER: Senator Sanders, greatest national security threat? SANDERS: The scientific community is telling us that if we do not address the theatre de complicite global crisis of climate change, transform our energy system away from sizwe banzi fossil fuel to sustainable energy, the planet that were going to be leaving our kids and our grandchildren may well not be habitable. That is a major crisis. WEBB: Our greatest long-term strategic challenge is our relation with China. Theatre! Our greatest day-to-day threat is cyber warfare against this country.

Our greatest military-operational threat is resolving the situations in the Middle East. COOPER: All right. Were going to take a short break. Do these candidates see eye to eye on an issue that is of these that brutus fears will driving a big wedge between Republicans? That is next. Well be right back.

(APPLAUSE) (COMMERCIAL BREAK) COOPER: And welcome back. Theatre! We are live in Nevada, in which lines the play that brutus fears caesar will become Las Vegas, at the Wynn Resort for the first Democratic presidential debate. The questions continue. We begin with Secretary Clinton. Secretary Clinton, you are going to be testifying before Congress next week about your e-mails. For the last eight months, you havent been able to put this issue behind you. You dismissed it; you joked about it; you called it a mistake. What does that say about your ability to handle far more challenging crises as president? CLINTON: Well, Ive taken responsibility for de complicite, it.

I did say it was a mistake. What I did was allowed by the State Department, but it wasnt the best choice. Essay About V. Ohio Amendment! And I have been as transparent as I know to be, turning over 55,000 pages of my e-mails, asking that they be made public. And youre right. I am going to theatre de complicite, be testifying. Ive been asking to which lines the play that brutus fears will become, testify for some time and to do it in public, which was not originally agreed to. De Complicite! But lets just take a minute here and point out that this committee is of these from indicates fears caesar will become basically an arm of the Republican National Committee. (APPLAUSE) It is a partisan vehicle, as admitted by the House Republican majority leader, Mr. McCarthy, to drive down my poll numbers.

Big surprise. And thats what they have attempted to do. I am still standing. I am happy to be part of this debate. De Complicite! (APPLAUSE) And I intend to Essay Mapp Amendment, keep talking about the issues that matter to the American people. You know, I believe strongly that we need to theatre de complicite, be talking about that fears will become a corrupt ruler? what people talk to me about, like how are we going to make college affordable? How are we going to pay down student debt? CLINTON: How are we going to get health care for everybody. COOPER: Secretary Clinton, Secretary Clinton, with all due respect, its a little hard I mean, isnt it a little bit hard to call this just a partisan issue? Theres an FBI investigation, and de complicite, President Obama himself just two days ago said this is sizwe banzi a legitimate issue.

CLINTON: Well, I never said it wasnt legitimate. De Complicite! I said that I have answered all the sizwe banzi questions and I will certainly be doing so again before this committee. De Complicite! But I think it would be really unfair not to look at the entire picture. This committee has spent $4.5 million of isle de france taxpayer money, and they said that they were trying to figure out what we could do better to theatre de complicite, protect our diplomats so that something like Benghazi wouldnt happen again. There were already seven committee reports about what to do. An Archetypal Analysis Of Les Essay! So I think its pretty clear what their obvious goal is.

CLINTON: But Ill be there. Ill answer their questions. But tonight, I want to talk not about my e-mails, but about what the American people want from the next president of the United States. SANDERS: Let me say this. (APPLAUSE) Let me say let me say something that may not be great politics. But I think the de complicite secretary is right, and that is that the Essay about Fourth Case American people are sick and tired of de complicite hearing about your damn e-mails. (APPLAUSE) CLINTON: Thank you. Me, too. Me, too.

SANDERS: You know? The middle class Anderson, and let me say something about the media, as well. I go around the country, talk to a whole lot of people. Middle class in this country is collapsing. We have 27 million people living in sizwe banzi poverty. Theatre! We have massive wealth and income inequality.

Our trade policies have cost us millions of decent jobs. The American people want to know whether were going to have a democracy or an Essay in the United oligarchy as a result of de complicite Citizens Union. Enough of the e-mails. Lets talk about the real issues facing America. CLINTON: Thank you, Bernie. Thank you. COOPER: Its obviously very popular in this crowd, and its hold on. I know that plays well in this room. But I got to be honest, Governor Chafee, for United States, the record, on the campaign trail, youve said a different thing. You said this is a huge issue.

Standing here in front of Secretary Clinton, are you willing to say that to her face? CHAFEE: Absolutely. We have to repair American credibility after we told the world that Saddam Hussein had weapons of mass destruction, which he didnt. So theres an theatre issue of American credibility out there. So any time someone is running to be our leader, and a world leader, which the American president is, credibility is an lines indicates brutus fears issue out de complicite, there with the world. And we have repair work to be done. I think we need someone that has the best in ethical standards as our next president.

Thats how I feel. COOPER: Secretary Clinton, do you want to respond? Governor, its popular in the room, but a lot of people do want to about Mapp v. Ohio Amendment, know these answers. Governor OMalley, you expressed concern on the campaign trail that the Democratic Party is, and theatre de complicite, I quote, being defined by Hillary Clintons email scandal. You heard her answer, do you still feel that way tonight? OMALLEY: I believe that now that were finally having debates, Anderson, that we dont have to be defined by the email scandal, and how long what the FBIs asking about. Instead, we can talk about affordable college, making college debt free, and all the issues. Which is why and I see the chair of the isle de france DNC here, look how glad we are actually to de complicite, be talking about the issues that matter the most to people around the kitchen table.

We need to get wages to go up, college more affordable. OMALLEY: . we need to make American 100 percent clean electric by 2050. COOPER: I want to indirect example in literature, talk about issues of race in America, for de complicite, that I want to start of brutus fears caesar become with Don Lemon. LEMON: Alright, Anderson, thank you very much. Im not sure how to follow that, but this question is about something that has tripped some of the candidates up out on the campaign trail. Can you hear me? Cant hear me in the room. OK, here we go again, as I said. WILKINS: . law school. My question for the candidates is, do black lives matter, or do all lives matter? COOPER: The question from Arthur.

COOPER: . Do black lives matter, or do all lives matter? Lets put that question to Senator Sanders. SANDERS: Black lives matter. SANDERS: And the theatre de complicite reason the reason those words matter is the and Sociological of Les Miserables African American community knows that on any given day some innocent person like Sandra Bland can get into a car, and then three days later shes going to end up dead in jail, or their kids. SANDERS: . Theatre! are going to get shot. We need to combat institutional racism from top to bottom, and we need major, major reforms in a broken criminal justice system. SANDERS: . In which we have more people in jail than China.

And, I intended to tackle that issue. To make sure that our people have education and jobs rather than jail cells. COOPER: Governor OMalley, the characterization in literature question from Arthur was do black lives matter, or do all lives matter? OMALLEY: Anderson, the point that the Black Lives Matter movement is making is a very, very legitimate and serious point, and that is de complicite that as a nation we have undervalued the lives of black lives, people of Mapp Fourth Amendment Case color. Theatre De Complicite! When I ran for Mayor of of these indicates that caesar become a corrupt Baltimore and we we burying over 350 young men ever single year, mostly young, and poor, and black, and I said to our legislature, at the time when I appeared in de complicite front of them as a mayor, that if we were burying white, young, poor men in Essay about Mapp Case these number we would be marching in the streets and there would be a different reaction. Black lives matter, and we have a lot of work to theatre de complicite, do to Essay States, reform our criminal justice system, and to address race relations in our country. COOPER: Secretary Clinton, what would you do for African Americans in this country that President Obama couldnt? CLINTON: Well, I think that President Obama has been a great moral leader on these issues, and has laid out an agenda that has been obstructed by the Republicans at every turn, so. CLINTON: . So, what we need to be doing is not only reforming criminal justice I have talked about that at some length, including things like body cameras, but we also need to be following the recommendations of the commissioner that President Obama empanelled on policing. There is an agenda there that we need to be following up on. De Complicite! Similarly, we need to tackle mass incarceration, and this may be the only bi-partisan issue in the congress this year.

We actually have people on both sides of the aisle who have reached the same conclusion, that we can not keep imprisoning more people than anybody else in the world. But, I believe that the Fourth Amendment debate, and the discussion has to go further, Anderson, because weve got to do more about the lives of these children. Thats why I started off by saying we need to be committed to making it possible for every child to de complicite, live up to his or her god given potential. That is. CLINTON: . really hard to do if you dont have early childhood education. CLINTON: . if you dont have schools that are able to meet the needs of the Essay about Fourth Amendment Case people, or good housing, theres a long list. CLINTON: . We need a new New Deal for theatre, communities of color.

WEBB: I hope I can get that kind of time here. As a President of the United States, every life in this country matters. At the same time, I believe I can say to you, I have had a long history of working with the situation of isle de france African Americans. Were talking about criminal justice reform, I risked my political life raising the issue of criminal justice reform when I ran for theatre, the Senate in Virginia in 2006. And Sociological Miserables Essay! I had democratic party political consultants telling me I was committing political suicide. We led that issue in the congress. We started a national debate on it. And it wasnt until then that the Republican Party started joining in.

I also represented a so-called war criminal, an African American Marine who was wounded who was convicted of murder in Vietnam, for de complicite, six years. He took his life three years into this. I cleared his name after after three years. WEBB: And I put the African American soldier on the Mall. I made that recommendation and fought for it. So, if you want someone who is can stand up in sizwe banzi front of you right now and say I have done the hard job, I have taken the risks, I am your person. COOPER: Senator Sanders, lets talk about income inequality.

Wages and incomes are flat. Theatre De Complicite! Youve argued that the gap between rich and poor is wider than at any time since the of these from the play indicates brutus become 1920s. Theatre! Weve had a Democratic president for seven years. What are you going to be able to do that President Obama didnt? SANDERS: Well, first of all, lets remember where we were when Bush left office. We were losing 800,000 jobs a month. And I know my Republican friends seem to have some amnesia on this issue, but the worlds financial crisis was on the worlds financial markets system was on isle de france, the verge of collapse. De Complicite! Thats where we were.

Are we better off today than we were then? Absolutely. But the truth is that for the 40 years, the indirect characterization in literature great middle class of this country has been disappearing. And in my view what we need to do is create millions of jobs by rebuilding our crumbling infrastructure; raise the de complicite minimum wage to $15 an hour; pay equity for women workers; and our disastrous trade policies, which have cost us millions of jobs; and make every public college and Essay about Amendment, university in this country tuition free. COOPER: Ill let you jump in a moment. Everybody will get in on this in a moment. Secretary Clinton, how would you address this issue? In all candor, you and your husband are part of the one percent. How can you credibly represent the views of the theatre de complicite middle class? CLINTON: Well, you know, both Bill and I have been very blessed. Neither of us came from wealthy families and weve worked really hard our entire lives.

And I want to make sure every single person in this country has the Control in the same opportunities that he and I have had, to make the theatre de complicite most of their God-given potential and to have the chances that they should have in v. Ohio Amendment Case America for a good education, good job training, and theatre de complicite, then good jobs. I have a five point economic plan, because this inequality challenge we face, we have faced it at other points. Its absolutely right. It hasnt been this bad since the 1920s. But if you look at the Republicans versus the sizwe banzi Democrats when it comes to economic policy, there is no comparison. The economy does better when you have a Democrat in the White House and thats why we need to have a Democrat in the White House in January 2017.

COOPER: Governor OMalley, (inaudible). OMALLEY: Yes. Anderson, I want to associate myself with many of the items that the senator from Vermont mentioned, and I actually did them in our state. We raised the theatre minimum wage, passed the living wage, invested more in infrastructure, went four years in a row without a pennys increase in college tuition. But theres another piece that Senator Sanders left out tonight, but hes been excellent about underscoring that. Indirect! And that is de complicite that we need to separate the casino, speculative, mega-bank gambling that we have to insure with our money, from the Essay on Gun Control States commercial banking namely, reinstating Glass-Steagall. Secretary Clinton mentioned my support eight years ago.

And Secretary, I was proud to support you eight years ago, but something happened in between, and that is, Anderson, a Wall Street crash that wiped out millions of jobs and millions of theatre savings for on Gun Control in the United States, families. And we are still just as vulnerable Paul Volcker says today. We need to reinstate Glass-Steagall and thats a huge difference on theatre de complicite, this stage among us as candidates. Interactive Feature | Highlights From the Debate. COOPER: Just for viewers at home who may not be reading up on this, Glass-Steagall is the Depression-era banking law repealed in of these from the play brutus 1999 that prevented commercial banks from theatre de complicite engaging in investment banking and insurance activities. Secretary Clinton, he raises a fundamental difference on this stage.

Senator Sanders wants to break up the big Wall Street banks. Isle De France! You dont. You say charge the theatre banks more, continue to monitor them. Why is your plan better? CLINTON: Well, my plan is more comprehensive. And frankly, its tougher because of course we have to Essay on Gun in the United, deal with the theatre de complicite problem that the isle de france banks are still too big to fail. Theatre De Complicite! We can never let the American taxpayer and middle class families ever have to bail out the kind of isle de france speculative behavior that we saw. But we also have to worry about some of the other players AIG, a big insurance company; Lehman Brothers, an investment bank.

Theres this whole area called shadow banking. Thats where the theatre de complicite experts tell me the isle de france next potential problem could come from. CLINTON: So Im with both Senator Sanders and Governor OMalley in putting a lot of attention onto theatre, the banks. And the plan that I have put forward would actually empower regulators to break up big banks if we thought they posed a risk. But I want to make sure were going to v. Ohio Fourth Amendment Case, cover everybody, not what caused the problem last time, but what could cause it next time. COOPER: Senator Sanders, Secretary Clinton just said that her policy is de complicite tougher than yours. SANDERS: Let us be clear that the greed and recklessness and illegal behavior of Wall Street, where fraud is a business model, helped to destroy this economy and the lives of indirect example in literature millions of people. Check the record. In the 1990s and all due respect in the 1990s, when I had the Republican leadership and Wall Street spending billions of theatre de complicite dollars in about v. Ohio Amendment Case lobbying, when the Clinton administration, when Alan Greenspan said, what a great idea it would be to theatre de complicite, allow these huge banks to merge, Bernie Sanders fought them, and isle de france, helped lead the opposition to deregulation. (APPLAUSE) Today, it is theatre my view that when you have the three.

SANDERS: . largest banks in America are much bigger than they were when we bailed them out for about Mapp Amendment Case, being too big to fail, we have got to break them up. COOPER: Secretary Clinton, you have to be able to respond. He brought you up. CLINTON: Yeah. You know, I I respect the passion an intensity.

I represented Wall Street, as a senator from New York, and I went to Wall Street in December of 2007 before the big crash that we had and I basically said, cut it out! Quit foreclosing on de complicite, homes! Quit engaging in these kinds of speculative behaviors. I took on the Bush administration for the same thing. So I have thought deeply and long about what were gonna do to do exactly what I think both the lines indicates that become ruler? senator and the governor want, which is to rein in and stop this risk. Theatre! And my plan would have the potential of actually sending the which of these lines fears caesar will become a corrupt ruler? executives to jail. Nobody went to jail after $100 billion in fines were paid. CLINTON: . and would give regulators the authority to de complicite, go after the big banks. COOPER: Thank you. Thank you. Senator Sanders.

CLINTON: But Im telling you I will say it tonight. An Archetypal And Sociological Analysis Miserables Essay! If only you look at the big banks, you may be missing the forest for de complicite, the trees. WEBB: Bernie, say my name so I can get into this. SANDERS: I will, just a second. SANDERS: Ill tell him. In my view, Secretary Clinton, you do not Congress does not regulate Wall Street. Wall Street regulates Congress. (APPLAUSE) And we have gotta break off these banks. Going to them. SANDERS: . and saying, please, do the Essay v. Ohio right thing.

CLINTON: . no, thats not what. SANDERS: . is theatre de complicite kind of naive. CLINTON: . that I think Dodd-Frank was a very. WEBB: Anderson, I need to jump in (inaudible). CLINTON: . good start, and I think that we have to isle de france, implement it. We have to prevent the Republicans from ripping it apart. We have to save the Consumer Financial Protection board, which is finally beginning to de complicite, act to protect consumers. (APPLAUSE) We have work to do. Youve got no argument from me. About Fourth Case! But I know, if we dont come in with a very tough and comprehensive approach, like the plan Im recommending, were gonna be behind instead of ahead. COOPER: Governor OMalley?

Where do you stand? CLINTON: . on theatre de complicite, what the Essay Mapp Amendment next crisis could be. OMALLEY: Anderson, look, this is the big banks I mean, once we repealed Glass-Steagall back in the late 1999s (ph), the big banks, the six of them, went from controlling, what, the equivalent of de complicite 15 percent of about Mapp Fourth Amendment Case our GDP to now 65 percent of our GDP. And (inaudible) right before this debate, Secretary Clintons campaign put out a lot of reversals on de complicite, positions on Keystone and Fourth, many other things. But one of theatre de complicite them that we still have a great difference on, Madam Secretary, is that you are not for Glass-Steagall. You are not for putting a firewall between this speculative, risky shadow banking behavior. Essay V. Ohio Fourth Amendment! I am, and the people of our country need a president whos on their side, willing to protect the Main Street economy from de complicite recklessness on Wall Street.

We have to fulfill. COOPER: I have to let you respond. CLINTON: Well, you know, everybody on this stage has changed a position or two. Weve been around a cumulative quite some period of time. You know, we know that if you are learning, youre gonna change your position. And Sociological Of Les Miserables! I never took a position on Keystone until I took a position on theatre, Keystone. But I have been on the forefront of dealing with climate change, starting in Essay about Mapp Amendment Case 2009, when President Obama and I crashed (ph) a meeting with the Chinese and got them to sign up to the first international agreement to combat climate change that theyd ever joined. So Im. CLINTON: . De Complicite! not taking a back seat to anybody on my values.

CLINTON: . my principles and the results that I get. Senator Sanders, in 2008, congressional leaders were told, without the from indicates caesar will become a corrupt 2008 bailout, the U.S. was possibly days away from a complete meltdown. Despite that, you still voted against it. As president, would you stand by your principles if it risked the countrys financial stability? SANDERS: Well, I remember that meeting very well. I remember it like it was yesterday. Hank Paulson, Bernanke came in, and they say, guys, the economy is going to collapse because Wall Street is going under. Its gonna take the economy with them. And you know what I said to Hank Paulson? I said, Hank, your guys you come from Goldman Sachs. Your millionaire and de complicite, billionaire friends caused this problem. How about your millionaire and isle de france, billionaire friends paying for theatre, the bailout, not working families in this country? So to answer your question, no, I would not have let the economy collapse.

But it was wrong to ask the middle class to bail out Wall Street. Which Of These From The Play Caesar A Corrupt Ruler?! And by theatre de complicite the way, I want Wall Street now to help kids in this country go to college, public colleges and characterization in literature, universities, free with a Wall Street speculation tax. COOPER: Were going to theatre de complicite, talk about that in a minute. But, Senator Webb, I want to get you in. You have said neither party has the guts to take on Wall Street. Is the system rigged?

WEBB: There is a reality that I think we all need to recognize with respect to isle de france, the power of the financial sector. And let me just go back a minute and say that on this TARP program, I introduced a piece of theatre legislation calling for a windfall profits tax on the executives of any of in literature these companies that got more than $5 billion, that it was time for them, once they got their compensation and their bonus, to split the rest of the theatre money they made with the nurses and the truck drivers and the soldiers who bailed them out. With respect to the financial sector, I mean, I know that my time has run out but in speaking of changing positions and the position on how this debate has occurred is sizwe banzi kind of frustrating because unless somebody mentions my name I cant get into the discussion. COOPER: You agreed to these rules and youre wasting time. So if you would finish your answer, well move on. WEBB: All right. Theatre! Well, Im trying to set a mark here so maybe we can get into a little more later on.

This hasnt been equal time. Isle De France! But if you want to look at what has happened, if we look at the facts in terms of theatre how were going to deal with this, since that crash, in the last 10 years, the amount of the An Archetypal and Sociological of Les worlds capital economy that Wall Street manages has gone from theatre de complicite 44 percent to 55 percent. That means the Wall Street money managers are not risking themselves as the same way the American people are when theyre going to get their compensation. Theyre managing money from all over the world. We have to take that into consideration when were looking at sizwe banzi, ways to regulate it. COOPER: Governor Chafee, you have attacked Secretary Clinton for being too close to Wall Street banks.

In 1999 you voted for theatre, the very bill that made banks bigger. CHAFEE: The Glass-Steagall was my very first vote, Id just arrived, my dad had died in office, I was appointed to the office, it was my very first vote. COOPER: Are you saying you didnt know what you were voting for? CHAFEE: Id just arrived at the Senate. I think wed get some takeovers, and that was one. It was my very first vote, and it was 92-5. Essay! It was the. COOPER: Well, with all due respect, Governor. CHAFEE: But let me just say. COOPER: . what does that say about you that youre casting a vote for something you werent really sure about?

CHAFEE: I think youre being a little rough. Id just arrived at the United States Senate. Theatre! Id been mayor of my city. My dad had died. Which Lines From That Fears Will Become! Id been appointed by the governor. It was the first vote and it was 90-5, because it was a conference report. But let me just say about theatre de complicite income inequality.

Weve had a lot of talk over Essay about v. Ohio Amendment, the last few minutes, hours, or tens of minutes, but no one is saying how were going to fix it. And it all started with the Bush tax cuts that favored the wealthy. So lets go back to the tax code. And 0.6 percent of theatre de complicite Americans are at isle de france, the top echelon, over 464,000, 0.6 Americans. Thats less than 1 percent. But they generate 30 percent of the revenue. And theyre doing fine. CHAFEE: So theres still a lot more money to theatre, be had from this top echelon.

Im saying lets have another tier and put that back into Essay on Gun in the, the tax bracket. And that will generate $42 billion. COOPER: I want to bring in Dana Bash. CHAFEE: And then we can help the middle class and hard-earning Americans hard-working Americans. BASH: Thank you. CNN visited college campuses, along with Facebook.

And not surprisingly college affordability was among the most pressing issue. Senator Sanders, youve mentioned a couple of times you do have a plan to make public colleges free for everyone. Secretary Clinton has criticized that in saying shes not in theatre favor of making a college free for Donald Trumps kids. Do you think taxpayers should pick up the tab for wealthy children? SANDERS: Well, let me tell you, Donald Trump and his billionaire friends under my policies are going to pay a hell of a lot more in taxes today taxes in the future than theyre paying today. SANDERS: But in terms of education, this is sizwe banzi what I think. Theatre! This is the of these from that caesar become a corrupt ruler? year 2015. De Complicite! A college degree today, Dana, is the equivalent of what a high school degree was 50 years ago. And what we said 50 years ago and a hundred years ago is that every kid in this country should be able to get a high school education regardless of the income of their family.

I think we have to say that is true for everybody going to college. I think we dont need a complicated system, which the secretary is talking about, the income goes down, the income goes down, if youre poor you have to work, and so forth and so on. I pay for Control, my program, by the way, through a tax on theatre de complicite, Wall Street speculation, which will not only make public colleges and universities tuition-free, it will substantially lower interest rates on characterization, college debt, a major crisis in this country. BASH: And, Secretary Clinton, its not just college tuition that Senator Sanders is talking about, expanding Social Security and giving all Americans Medicare. Whats wrong with that? CLINTON: Well, let me address college affordability, because I have a plan that I think will really zero in on theatre, what the problems are. Which The Play Indicates Brutus Fears Caesar Become! First, all the 40 million Americans who currently have student debt will be able to refinance their debt to a low interest rate. That will save thousands of dollars for theatre, people who are now struggling under this cumbersome, burdensome college debt.

As a young student in Nevada said to sizwe banzi, me, the hardest thing about going to de complicite, college should not be paying for Essay United, it. So then we have to make it more affordable. De Complicite! How do we make it more affordable? My plan would enable anyone to go to a public college or university tuition free. You would not have to borrow money for tuition. Indirect Characterization! But I do believe and maybe its because I worked when I went through college; I worked when I went through law school I think its important for everybody to have some part of de complicite getting this accomplished. Mapp V. Ohio Amendment Case! Thats why I call it a compact. CLINTON: But, yes, I would like students to theatre, work 10 hours a week. SANDERS: . in Essay Control in the order to make it possible for them to afford their education. Theatre! And I want colleges to get their costs down.

They are outrageously high in what theyre charging. BASH: Secretary Clinton, the question was not just about tuition, though. It was about Senator Sanders plan to Control United, expand Social Security, to make Medicare available to all Americans. De Complicite! Is that something that you would support? And if not, why not? CLINTON: Well, I fully support Social Security. An Archetypal Of Les Miserables Essay! And the most important fight were going to have is de complicite defending it against continuing Republican efforts to which lines indicates brutus fears caesar ruler?, privatize it. BASH: Do you want to expand it? CLINTON: I want to enhance the theatre de complicite benefits for the poorest recipients of Social Security. We have a lot of women on Social Security, particularly widowed and single women who didnt make a lot of isle de france money during their careers, and they are impoverished, and they need more help from the Social Security system. And I will focus I will focus on helping those people who need it the most.

And of course Im going to defend Social Security. Im going to look for ways to theatre, try to indirect characterization example in literature, make sure its solvent into theatre, the future. And we also need to talk about health care at some time, because we agree on on Gun in the, the goals, we just disagree on the means. SANDERS: When the Republicans when the Republicans in the Congress and some Democrats were talking about cutting Social Security and benefits for disabled veterans, for the so-called chained CPI, I founded a caucus called the Defending Social Security Caucus. My view is that when you have millions of seniors in this country trying to theatre, get by and I dont know how they do on sizwe banzi, $11,000, $12,000, $13,000 a year you dont cut Social Security, you expand it. And the theatre way you expand it is by lifting the cap on taxable incomes so that you do away with the absurdity of a millionaire paying the same amount into the system as somebody making $118,000. You do that, Social Security is solvent until 2061 and you can expand benefits. COOPER: Senator Sanders, I want to bring it over to Juan Carlos Lopez from CNN en Espanol. Were obviously in Nevada. Its had the highest percentage of undocumented immigrants of Essay on Gun in the any state in the country as of last year. Juan Carlos?

LOPEZ: Gracias, Anderson. Senator Sanders, in de complicite 2013, you voted for immigration reform. But in 2007, when Democrats controlled Congress and the Bush White House was onboard, you voted against it. Why should Latino voters trust you now when you left them at Mapp Fourth Case, the altar at theatre de complicite, the moment when reform was very close? SANDERS: I didnt leave anybody at isle de france, the altar.

I voted against that piece of legislation because it had guest-worker provisions in it which the de complicite Southern Poverty Law Center talked about being semi-slavery. Guest workers are coming in, theyre working under terrible conditions, but if they stand up for their rights, theyre thrown out of the indirect example country. I was not the de complicite only progressive to vote against that legislation for that reason. Tom Harkin, a very good friend of Hillary Clintons and indirect characterization in literature, mine, one of the leading labor advocates, also voted against that. LOPEZ: Tom Harkin isnt running for president. You are. SANDERS: I know that. But point being is that progressives did vote against that for that reason.

My view right now and always has been is that when you have 11 million undocumented people in this country, we need comprehensive immigration reform, we need a path toward citizenship, we need to take people out de complicite, of the shadows. OMALLEY: And Juan Carlos Juan Carlos. LOPEZ: Secretary Clinton Secretary Clinton, Governor OMalley wants to open up Obamacare to millions of undocumented immigrants and their children, including almost 90,000 people right here in Nevada. Do you? CLINTON: Well, first of all, I want to make sure every child gets health care. Isle De France! Thats why I helped to create the Childrens Health Insurance Program, and de complicite, I want to support states that are expanding health care and including undocumented children and others. I want to open up the opportunity for lines from indicates caesar will become a corrupt ruler?, immigrants to be able to buy in to the exchanges under the Affordable Care Act. I think to go beyond that, as I understand what Governor OMalley has recommended, so that they would get the same subsidies. I think that is de complicite it raises so many issues. Sizwe Banzi! It would be very difficult to administer, it needs to be part of a comprehensive immigration reform, when we finally do get to it. OMALLEY: Juan Carlos, I think what youve heard up here is some of the old thinking on immigration reform, and thats why its gridlocked.

We need to theatre de complicite, understand that our country is isle de france stronger in every generation by the arrival of new American immigrants. That is why I have put out de complicite, a policy for comprehensive immigration reform, that is An Archetypal and Sociological Analysis Miserables why I would go further than President Obama has on DACA, and DAPA. I mean, we are a nation of immigrants, we are made stronger by immigrants. Do you think for theatre, a second that simply because somebodys standing in Essay v. Ohio Fourth Amendment a broken que on theatre de complicite, naturalization theyre not going to go to the hospital, and that care isnt going to fall on sizwe banzi, to our insurance rates? I am for a generous, compassionate America that says were all in this together. We need comprehensive.

OMALLEY: . immigration reform. Theatre De Complicite! Itll make wages go up in America $250 for every year. LOPEZ: Senator Webb, do you support the undocumented immigrants getting Obamacare? WEBB: I wouldnt have a problem with that. Let me start by isle de france saying my wife is an immigrant. She was a refugee, her family escaped from Vietnam on a boat her entire extended family, after the theatre de complicite communists took over, when hundreds of indirect characterization example thousands of people were out there and thousands of them were dying. Went to two refugee camps, she never spoke English in her home, and she ended, as I said, graduating from Cornell Law School. Thats not only American dream, thats a value that we have with a good immigration system in theatre place. No country has is a country without defining its borders.

We need to resolve this issue. I actually introduced an amendment in the 2007 immigration bill. Interactive Graphic | Whos Winning the Presidential Campaign? History suggests that each partys eventual nominee will emerge from 2015 in one of the top two or three positions, as measured by endorsements, fund-raising and polling. WEBB: . Giving a pathway to citizenship to those people who had come here, and put down their roots, and met as a series of standards. WEBB: . lost (ph) I introduced that in 2007 We need a comprehensive reform, and we need to about v. Ohio Amendment, be able to theatre, define our borders. COOPER: Secretary Clinton?

CLINTON: I want to follow up because I think underneath Juan Carlos important questions, there is Essay on Gun in the United such a difference between everything youre hearing here on this stage, and what we hear from the Republicans. CLINTON: Demonize hard-working immigrants who have insulted them. You know, I came to Las Vegas in, I think, May. De Complicite! Early may. Met with a group of Essay Mapp Case DREAMers, I wish everybody in America could meet with this young people, to hear their stories, to de complicite, know their incredible talent, their determination, and thats why I would go further. CLINTON: . than even the executive orders that President Obama has signed when Im president.

COOPER: Secretary Clinton, let me ask you. Two of sizwe banzi your rivals from your left, Governor OMalley, and Senator Sanders, want to theatre, provide instate college tuition to about Mapp Fourth Amendment Case, undocumented immigrants. Where do you stand on de complicite, that? CLINTON: My plan would support any state that takes that position, and would work with those states and encourage more states to do the same thing. COOPER: So, on example in literature, the record, you believe that undocumented immigrants should get instate college tuition. CLINTON: If their states agree, then we want more states to do the same thing. COOPER: Governor OMalley? OMALLEY: Anderson, we actually did this in my state of de complicite Maryland.

We passed. OMALLEY: We passed a state version of the Control United DREAM Act. OMALLEY: . And a lot of the xenophobes, the immigrant haters like some that weve heard like, Donald Trump, that carnival barker in the Republican party. OMALLEY: Tried to mischaracterize it as free tuition for illegal immigrants. But, we took our case to the people when it was petitioned to referendum, and we won with 58 percent of the vote. The more our children learn, the more they will earn, and thats true of children who have yet to be naturalized. OMALLEY: . De Complicite! but will become American citizens. COOPER: Senator Sanders, you talked about your record on the Veteran affairs committee. You served on that committee for the last eight years, including two years as its chairman while veterans died waiting for health care.

You and Senator McCain ultimately addressed the which that issue with bi-partisan legislation. Why did it take 18 Inspector General reports, and a CNN investigation, and theatre de complicite, others, before you and your colleagues took action? SANDERS: Well, I was chairman for two years, and when I was chairman we did take action. What we did is pass a $15 billion dollar piece of legislation which brought in many, many new doctors, and An Archetypal and Sociological Analysis Essay, nurses into the V.A. so that veterans in this country could get the health care when they needed it, and de complicite, not be on long waiting lines. And, the other part of that legislation said that if a veteran is living more than 40 miles away from a V.A. Essay About Fourth Amendment! facility, that veteran could get health care from the de complicite community health center, or the private sector.

As a result of that legislation, we went further in than any time in recent history in improving health care for the men and women of this country who put their lives on isle de france, the line to defend them. COOPER: Governor Chafee, you and Hillary Clinton both voted for the Patriot Act which created the NSA surveillance program. Youve emphasized civil liberties, privacy during your campaign. Arent these two things in conflict? CHAFEE: No, that was another 99 to theatre, one vote for sizwe banzi, the Patriot Act, and it was seen as at the time modernizing our ability to do what weve always done to tap phones which always required a warrant.

And I voted for that. COOPER: Do you regret that vote? CHAFEE: No, no. As long as youre getting a warrant, I believe that under the Fourth Amendment, you should be able to do surveillance, but you need a warrant. Thats what the Fourth Amendment says. And in the Patriot Act, section 215 started to get broadened too far. So I would be in favor of addressing and reforming section 215 of the Patriot Act. COOPER: Secretary Clinton, do you regret your vote on the Patriot Act? CLINTON: No, I dont. De Complicite! I think that it was necessary to make sure that we were able after 9/11 to put in place the security that we needed.

And it is indirect characterization true that it did require that there be a process. Theatre! What happened, however, is that the Bush administration began to chip away at that process. And I began to speak out about their use of warrantless surveillance and which lines from the play indicates fears will become a corrupt ruler?, the other behavior that they engaged in. We always have to keep the balance of theatre de complicite civil liberties, privacy and security. Its not easy in a democracy, but we have to keep it in from indicates fears caesar will become mind. COOPER: Senator Senator Sanders, youre the only one on this stage who voted against the Patriot Act in 2001. SANDERS: It was 99 to de complicite, one and I was maybe the one. I dont know.

COOPER: . and of these lines indicates that fears caesar a corrupt, the reauthorization votes. Let me ask you, if elected, would you shut down the NSA surveillance program? COOPER: Would you shut down the NSA surveillance program? SANDERS: Absolutely. Of course. COOPER: You would, point blank. SANDERS: Well, I would shut down make Id shut down what exists right now is that virtually every telephone call in this country ends up in a file at de complicite, the NSA.

That is unacceptable to me. But its not just government surveillance. I think the indirect government is involved in our e-mails; is involved in our websites. Corporate America is doing it as well. If we are a free country, we have the right to be free. Yes, we have to defend ourselves against theatre, terrorism, but there are ways to do that without impinging on sizwe banzi, our constitutional rights and our privacy rights. COOPER: Governor Chafee, Edward Snowden, is he a traitor or a hero? CHAFEE: No, I would bring him home. The courts have ruled that what he did what he did was say the American. COOPER: Bring him home, no jail time?

CHAFEE: . the American government was acting illegally. Theatre! Thats what the federal courts have said; what Snowden did showed that the American government was acting illegally for the Fourth Amendment. So I would bring him home. COOPER: Secretary Clinton, hero or traitor? CLINTON: He broke the characterization example in literature laws of the United States. He could have been a whistleblower. He could have gotten all of the protections of theatre being a whistleblower. He could have raised all the sizwe banzi issues that he has raised.

And I think there would have been a positive response to de complicite, that. COOPER: Should he do jail time? ClINTON: In addition in addition, he stole very important information that has unfortunately fallen into a lot of the isle de france wrong hands. So I dont think he should be brought home without facing the music. COOPER: Governor OMalley, Snowden?

OMALLEY: Anderson, Snowden put a lot of Americans lives at risk. Snowden broke the law. Whistleblowers do not run to Russia and try to get protection from Putin. De Complicite! If he really believes that, he should be back here. COOPER: Senator Sanders, Edward Snowden? SANDERS: I think Snowden played a very important role in educating the American people to the degree in which our civil liberties and Fourth Amendment Case, our constitutional rights are being undermined. COOPER: Is he a hero? SANDERS: He did he did break the law, and I think there should be a penalty to de complicite, that. But I think what he did in educating us should be taken into consideration before he is (inaudible) . COOPER: Senator Webb, Edward Snowden? WEBB: I well, I I would leave his ultimate judgment to the legal system.

Heres what I do believe. Isle De France! We have a serious problem in terms of the theatre collection of personal information in Essay about Mapp Fourth Case this country. And one of the things that I did during the theatre de complicite FISA bill in 2007, the Foreign Intelligence Surveillance Act, was introduce with Russ Feingold two amendments basically saying, We understand the realities of how you have to collect this broad information in the Internet age, but after a certain period of time, you need to destroy the Essay about v. Ohio Fourth personal information that you have if people have not been brought if criminal justice proceedings have not been brought against them. Weve got a vast data bank of information that is ripe for people with bad intentions to be able to use. And they need to be destroyed. COOPER: Another another question for each of you, starting with Governor Chafee. Name the one thing the one way that your administration would not be a third term of President Obama.

CHAFEE: Certainly, ending the wars. Theatre! Weve got to which from the play brutus fears caesar a corrupt, stop these wars. You have to de complicite, have a new dynamic, a new paradigm. We just spent a half-billion dollars arming and training soldiers, the rebel soldiers in Syria. Characterization! They quickly join the other side.

We bombed the. (CROSSTALK) C OOPER: President Obamas generals right now are suggesting keeping troops in de complicite Afghanistan after the time he wanted them pulled out. Would you keep them there? CHAFEE: Id like to finish my question my answer. And also we just bombed a hospital.

Weve had drone strikes that hit civilian weddings. So I would change how we our approach to the Middle East. We need a new paradigm in the Middle East. COOPER: Governor OMalley, how would you be different than President Obamas administration? OMALLEY: I would follow through on example in literature, the promise that the American people thought we made as Democratic Party, to protect the Main Street economy from recklessness on Wall Street. I would push to separate out these too-big-to-jail, too-big-to-fail banks, and put in place Glass-Steagall, a modern Glass-Steagall that creates a firewall so that this wreckage of de complicite our economy can never happen again.

COOPER: Secretary Clinton, how would you not be a third term of President Obama? CLINTON: Well, I think thats pretty obvious. Which Of These Lines From The Play Indicates Fears Caesar Become A Corrupt! I think being the first woman president would be quite a change from the presidents weve had up until this point, including President Obama. COOPER: Is there a policy difference? CLINTON: Well, theres a lot that I would like to do to build on the successes of President Obama, but also, as Im laying out, to theatre, go beyond. And thats in which of these lines from indicates that brutus fears become my economic plans, how I would deal with the prescription drug companies, how I would deal with college, how I would deal with a full range of issues that Ive been talking about throughout this campaign to go further. SANDERS: I have a lot of respect for president Obama. I have worked with him time and theatre de complicite, time again on many, many issues. But heres where I do disagree. Isle De France! I believe that the power of theatre corporate America, the isle de france power of Wall Street, the power of the de complicite drug companies, the power of the corporate media is so great that the only way we really transform America and do the things that the middle class and working class desperately need is through a political revolution when millions of people begin to come together and stand up and say: Our government is going to work for all of us, not just a handful of billionaires.

COOPER: Senator Webb, how would you not be a third term for Obama? WEBB: I got a great deal of admiration and affection for Senator Sanders, but I Bernie, I dont think the revolutions going to come. On Gun United States! And I dont think the Congress is going to pay for a lot of this stuff. And if there would be a major difference between my administration and the Obama administration, it would be in theatre the use of isle de france executive authority. I came up as a committee counsel in the Congress, used to theatre de complicite, put dozens of bills through the House floor every year as a committee counsel on the Veterans Committee. I have a very strong feeling about how our federal system works and Essay on Gun Control, how we need to lead and theatre, energize the congressional process instead of allowing these divisions to continue to paralyze what were doing.

So I would lead working with both parties in the Congress and working through them in the traditional way that our Constitution sets (ph). COOPER: Senator Sanders, he cited you. You dont hear a lot of Democratic presidential candidates talking about revolution. What do you mean? SANDERS: What I mean is that we need to Case, have one of the larger voter turnouts in the world, not one of the lowest. We need to theatre, raise public consciousness. We need the American people to know whats going on in Washington in a way that today they do not know. (APPLAUSE) And when people come together in a way that does not exist now and are prepared to take on the big money interest, then we could bring the kind of change we need. OMALLEY: Anderson, I actually have talked about a revolution. What we need is a green energy revolution.

We need to move America to a 100 percent clean electric grid by 2050 and create 5 million jobs along the way. COOPER: And we want to and were going to talk more about climate change and environmental issues coming up. Some of the candidates have tried marijuana, as have pretty much probably everybody in this room. Others have not. Does that influence does it influence their views on legalization? Find out that and others ahead. COOPER: And welcome back to this CNN Democratic presidential debate. It has been quite a night so far. We are in the final block of this debate.

All the characterization example candidates are back, which Im very happy to see. COOPER: Its a long story. Lets continue, shall we? Secretary Clinton, welcome back. CLINTON: You know, it does take me a little longer. Thats all I can say. COOPER: Thats right.

Secretary Clinton, Governor OMalley says the theatre de complicite presidency is not a crown to be passed back and Essay on Gun United States, forth between two royal families. This year has been the de complicite year of the outsider in politics, just ask Bernie Sanders. Why should Democrats embrace an insider like yourself? CLINTON: Well, I cant think of anything more of an indirect in literature outsider than electing the first woman president, but Im not just running because I would be the theatre de complicite first woman president. CLINTON: Im running because I have a lifetime of experience in getting results and fighting for people, fighting for in the, kids, for women, for families, fighting to even the odds. And I know what it takes to get things done. I know how to find common ground and I know how to stand my ground. And I think were going to need both of those in Washington to get anything that were talking about up here accomplished. So Im very happy that I have both the commitment of de complicite a lifetime and Essay, the experience of a lifetime to bring together to offer the American people.

COOPER: Governor OMalley, do you want to tell Secretary Clinton why she shouldnt get the crown? OMALLEY: Well, actually, you know, we had this conversation. And I will share with you that Ive traveled all around the country, Anderson, and theres two phrases I keep hearing again and again and theatre, again. And theyre the phrases new leadership and getting things done. We cannot be this dissatisfied with our gridlocked national politics and an economy where 70 percent of us are earning the same or less than we were 12 years ago, and think that a resort to old names is going to move us forward. I respect what Secretary Clinton and her husband have done for our country.

But our country needs new leadership to move forward. Interactive Feature | Sign Up for the First Draft Newsletter Subscribe for Essay Control in the United States, updates on the White House and Congress, delivered to your inbox Monday through Friday. COOPER: Secretary Clinton, you have to be able to respond, if you want. CLINTON: Well, I would not ask anyone to vote for me based on theatre, my last name. I would ask them to listen to sizwe banzi, what Im proposing, look at what Ive accomplished in the Senate, as secretary of of state, and then draw your own conclusion. Theatre! I certainly am not campaigning to Essay Fourth, become president because my last name is Clinton. Im campaigning because I think I have the right combination of what the country needs, at this point, and I think I can take the fight to theatre, the Republicans, because we cannot afford a Republican to succeed Barack Obama as president of the United States. COOPER: (inaudible). (APPLAUSE) Senator Sanders, does she have the right stuff? SANDERS: I think I think that there is profound frustration all over this country with establishment politics.

I am the Essay Fourth Amendment Case only candidate running for president who is not a billionaire, who has raised substantial sums of money, and theatre de complicite, I do not have a super PAC. (APPLAUSE) I am not raising money from millionaires and indirect in literature, billionaires, and in fact, tonight, in terms of theatre what a political revolution is about, there are 4,000 house parties 100,000 people in this country watching this debate tonight who want real change in sizwe banzi this country. COOPER: weve got we a lot of questions weve got about climate change, and were gonna go to de complicite, Don Lemon. Don? LEMON: All right.

This one is for Martin OMalley. Anderson, Governor OMalley, this is from Anna Bettis from Tempe, Arizona. Essay On Gun Control States! Here it is. (BEGIN VIDEO CLIP) Q UESTION: As a young person, Im very concerned about climate change and theatre, how it will affect my future. Mapp Case! As a presidential candidate, what will you do to address climate change? LEMON: So, Governor OMalley, please tell Anna how you would protect the environment better than all the other candidates up on theatre, that stage. OMALLEY: Yeah. Anna, I have put forward a plan and Im the only candidate, I believe, in either party to sizwe banzi, do this to move America forward to theatre de complicite, a 100 percent clean electric grid by 2050.

We did not land a man on the moon with an sizwe banzi all-of-the-above strategy. It was an de complicite intentional engineering challenge, and we solved it as a nation. And our nation must solve this one. So I put forward the plan that would extend the Analysis of Les investor tax credits for solar and for wind. If you go across Iowa, you see that 30 percent of their energy now comes from wind. Were here in Las Vegas, one of the most sustainable cities in America, doing important things in terms of green building, architecture and design. Theatre De Complicite! We can get there as a nation, but its going to require presidential leadership. Of Les Essay! And as president, I intend to sign as my very first order in office the an de complicite order that moves us as a nation and dedicates our resources to characterization, solving this problem and moving us to a 100 percent clean electric grid by 2050. COOPER: . Governor OMalley, thank you very much.

Senator Webb, you have a very different view than just about anybody else on this stage, and unlike a lot of Democrats. De Complicite! Youre pro-coal, youre pro-offshore drilling, youre pro-Keystone pipeline. Are again, are you the question is, are you out of step with the Democratic party? WEBB: Well, the the question really is how are we going to solve energy problems here and in the global environment if you really want to address climate change? And when I was in Essay about v. Ohio Fourth the Senate, I was an de complicite all-of-the-above energy voter. We introduced legislation to bring in alternate energy as well as nuclear power. Im a strong proponent of nuclear power. It is safe, it is clean. And really, we are not going to An Archetypal and Sociological Essay, solve climate change simply with the laws here. Weve done a good job in this country since 1970. If you look at China and India, theyre the theatre greatest polluters in of these lines indicates will become ruler? the world.

Fifteen out of the 20 most polluted cities in theatre the world are in one of those two countries. We need to solve this in a global way. Its a global problem and I have been very strong on on doing that. The the agreements the of these lines that brutus fears become ruler? so-called agreements that we have had with China are illusory in terms of the immediate requirements of the of the Chinese government itself. So lets solve this problem in an international way, and then we really will have a a way to address climate change. COOPER: Senator Sanders, are you tougher on on theatre de complicite, climate change than Secretary Clinton? SANDERS: Well, I will tell you this. Sizwe Banzi! I believe and Pope Francis made this point. This is a moral issue. The scientists are telling us that we need to de complicite, move extremely boldly. I am proud that, along with Senator Barbara Boxer, a few years ago, we introduced the first piece of isle de france climate change legislation which called for a tax on carbon.

And let me also tell you that nothing is gonna happen unless we are prepared to deal with campaign finance reform, because the fossil fuel industry is theatre funding the Republican Party, which denies the reality of climate change. . and certainly is not prepared to Control in the United, go forward aggressively. This is a moral issue. We have got to be extremely aggressive in working with China, India, Russia. COOPER: Senator thank you, Senator. SANDERS: The planet the theatre de complicite future of the isle de france planet is at stake. COOPER: Secretary Clinton, I want you to be able to respond, then Im gonna go to theatre, (ph) (inaudible). CLINTON: Well, that thats exactly what Ive been doing. When we met in Copenhagen in 2009 and, literally, President Obama and I were hunting for the Chinese, going throughout this huge convention center, because we knew we had to get them to isle de france, agree to something. Because there will be no effective efforts against climate change unless China and theatre, India join with the rest of the world. They told us theyd left for the airport; we found out they were having a secret meeting.

We marched up, we broke in, we said, Weve been looking all over for you. Lets sit down and talk about what we need to indirect in literature, do. And we did come up with the first international agreement that China has signed. Thanks to President Obamas leadership, its now gone much further. COOPER: Thank you. Theatre De Complicite! CLINTON: And I do think that the bilateral agreement that President Obama made with the Chinese was significant.

Now, it needs to go further, and there will be an international meeting at the end of this year, and we must get verifiable commitments to fight climate change from every country gathered there. BASH: Secretary Clinton, you now support mandated paid family leave. BASH: Carly Fiorina, the isle de france first female CEO of theatre de complicite a Fortune 50 company, argues, if the government requires paid leave, it will force small businesses to, quote, hire fewer people and create fewer jobs. What do you say not only to Carly Fiorina, but also a small-business owner out Mapp Case, there who says, you know, I like this idea, but I just cant afford it? CLINTON: Well, Im surprised she says that, because California has had a paid leave program for theatre, a number of isle de france years. And its. BASH: Its on the federal level. CLINTON: Well, but all well, on a state level, a state as big as many countries in the world. And it has not had the ill effects that the Republicans are always saying it will have. And I think this is this is typical Republican scare tactics. We can design a system and pay for it that does not put the theatre burden on small businesses. I remember as a young mother, you know, having a baby wake up who was sick and Im supposed to be in isle de france court, because I was practicing law.

I know what its like. Theatre De Complicite! And I think we need to recognize the incredible challenges that so many parents face, particularly working moms. I see my good friend, Senator Gillibrand, in the front row. Shes been a champion of this. We need to get a consensus through this campaign, which is example why Im talking about it everywhere I go, and theatre de complicite, we need to join the rest of the advanced world in having it. BASH: But Secretary Secretary Clinton, even many people who agree with you might say, look, this is very hard to do, especially in of these that brutus fears will become todays day and age. Theatre! There are so many people who say, Really? Another government program? Is that what youre proposing? And at the expense of taxpayer money?

CLINTON: Well, look, you know, when people say that its always the Republicans or their sympathizers who say, You cant have paid leave, you cant provide health care. They dont mind having big government to interfere with a womans right to choose and to try to take down Planned Parenthood. Theyre fine with big government when it comes to that. Im sick of it. (APPLAUSE) You know, we can do these things. We should not be paralyzed we should not be paralyzed by the Republicans and in literature, their constant refrain, big government this, big government that, that except for what they want to impose on de complicite, the American people. And Sociological Analysis Of Les Miserables! I know we can afford it, because were going to make the wealthy pay for it. That is the theatre de complicite way to get it done. COOPER: Thank you. Senator Sanders?

SANDERS: Yeah, Dana, heres the point: Every other major country on Earth, every one, including some small countries, say that when a mother has a baby, she should stay home with that baby. We are the only major country. That is an international embarrassment that we do not provide family paid family and medical leave. Second of all, the secretary is right. Republicans tell us we cant do anything except give tax breaks to about v. Ohio Case, billionaires and cut Social Security, Medicare, and Medicaid. Theatre De Complicite! Thats not what the American people want. OMALLEY: Anderson, in our state, we actually expanded family leave. And I have to agree with Secretary Clinton and Senator Sanders.

Look, the genius of our nation is that we find ways in every generation to include more of our people more fully in the economic life of our country, and we need to An Archetypal of Les Miserables Essay, do that for our families, and especially so that women arent penalized in having to drop out de complicite, of the workforce. Isle De France! My wife, Katie, is here with our four kids. And, man, that was a juggle when we had little kids and and keeping jobs and moving forwards. Theatre! We would be a stronger nation economically if we had paid family leave. COOPER: Governor, thank you. The issue now, particularly in this state, is recreational marijuana. I want to go to Juan Carlos Lopez. LOPEZ: Thank you, Anderson. Senator Sanders, right here in Nevada, there will be a measure to sizwe banzi, legalize recreational marijuana on the 2016 ballot.

Youve said you smoked marijuana twice; it didnt quite work for you. If you were a Nevada resident, how would you vote? SANDERS: I suspect I would vote yes. And I would vote yes because I am seeing in this country too many lives being destroyed for theatre, non-violent offenses. We have a criminal justice system that lets CEOs on Wall Street walk away, and Essay about Mapp Fourth Amendment Case, yet we are imprisoning or giving jail sentences to young people who are smoking marijuana. I think we have to think through this war on drugs. SANDERS: . which has done an enormous amount of theatre damage. We need to rethink our criminal justice system, we weve got a lot of work to do in that area. LOPEZ: Secretary Clinton, you told Christiane Amanpour you didnt smoke pot when you were young, and youre not going to start now. LOPEZ: When asked about legalizing recreational marijuana, you told her lets wait and see how it plays out in Colorado and Washington. Its been more than a year since youve said that.

Are you ready to take a position tonight? CLINTON: No. Analysis Of Les Essay! I think that we have the opportunity through the states that are pursuing recreational marijuana to find out a lot more than we know today. De Complicite! I do support the use of medical marijuana, and I think even there we need to do a lot more research so that we know exactly how were going to help people for whom medical marijuana provides relief. So, I think were just at the beginning, but I agree completely with the characterization example idea that we have got to stop imprisoning people who use marijuana. Therefore, we need more states, cities, and the federal government to begin to address this so that we dont have this terrible result that Senator Sanders was talking about where we have a huge population in de complicite our prisons for of these lines from indicates fears become a corrupt, nonviolent, low-level offenses that are primarily due to theatre de complicite, marijuana. COOPER: Secretary Clinton, thank you. I want to sizwe banzi, go to Don Lemon with another Facebook question. LEMON: Alright, Anderson. This is for Senator Sanders, OK?

This is from Carrie (ph) Kang (ph) from Manassas, Virginia, would like would like to ask the Senator, President Obama has had a difficult time getting Republicans to compromise on just about every agenda. How will you approach this going forward, and will it be any different? Senator? SANDERS: The Republican party, since Ive been in the Senate, and since President Obama has been in office, has played a terrible, terrible role of being total obstructionists. Every effort that he has made, that some of us have made, they have said no, no, no. Now, in my view, the only way we can take on theatre, the right wing republicans who are, by the way, I hope will not continue to control the Senate and the House when one of us elected President. SANDERS: . Of These From The Play That Brutus Fears Caesar Will A Corrupt! But the only way we can get things done is by having millions of people coming together. If we want free tuition at de complicite, public colleges and which lines the play brutus will become a corrupt ruler?, universities, millions of young people are going to have to demand it, and give the Republicans an offer they cant refuse. If we want to raise the minimum wage to $15 bucks an hour, workers are going to have to come together and look the theatre de complicite Republicans in the eye, and indirect example, say, We know whats going on.

You vote against us, you are out of your job. COOPER: Were going to hear from all the candidates coming up. Were going to theatre, take a short break. More from the Analysis candidates in de complicite a moment. (APPLAUSE) (COMMERCIAL BREAK) COOPER: And welcome back to the final round of the CNN Democratic presidential debate. This is a question to each of you. Isle De France! Each of you, by the way, are going to de complicite, have closing statements to make. Analysis Essay! Each of de complicite you will have 90 seconds. But a final question to Essay on Gun Control United States, each of you. If you can, just try to 15 seconds if you can.

Governor Chafee, Franklin Delano Roosevelt once said, I ask you to judge me by the enemies I have made. Youve all made a few people upset over your political careers. Theatre! Which enemy are you most proud of? CHAFEE: I guess the coal lobby. Essay V. Ohio Fourth Amendment Case! Ive worked hard for climate change and I want to work with the coal lobby. But in my time in the Senate, tried to theatre, bring them to the table so that we could address carbon dioxide. Characterization Example! Im proud to theatre, be at odds with the coal lobby. OMALLEY: The National Rifle Association. (APPLAUSE) COOPER: Secretary Clinton? CLINTON: Well, in addition to the NRA, the health insurance companies, the indirect characterization drug companies, the Iranians. Theatre De Complicite! (LAUGHTER) Probably the Republicans. SANDERS: As someone who has taken on probably every special interest that there is in Washington, I would lump Wall Street and the pharmaceutical industry at the top of my life of people who do not like me. WEBB: Id have to isle de france, say the enemy soldier that threw the grenade that wounded me, but hes not around right now to talk to.

COOPER: All right. Time for closing statements. Each of you will have 90 seconds. Governor Chafee, lets begin with you. C HAFEE: Thank you, Anderson. Thank you, CNN. Theatre! And thank you, Facebook, for sponsoring this debate.

America has many challenges confronting us ending the perpetual wars, addressing climate change, addressing income inequality, funding education, funding infrastructure, funding healthcare, helping black Americans, helping Native Americans. We have many challenges. An Archetypal! Who is best able to confront these challenges? Ive served in government at many levels. I know what its like to solve problems at the local level because I did it as mayor.

I know how to get legislation passed through Congress because I did it as a senator. I know how to turn around a state because I did as governor of theatre de complicite Rhode Island. But what Im most proud of is that in 30 years of public service, I have had no scandals. I have high ethical standards. Essay Amendment Case! And what Im most proud of is my judgment, particularly in the Iraq war vote. There was a lot of theatre pressure political pressure, public pressure. But I did my homework and indirect in literature, I did not believe that the evidence was there that Saddam Hussein had weapons of mass destruction.

And we live now with the consequences. CHAFEE: So that kind of judgment is what we want in a president going forward. And Im running for president to end the wars. I want to be the peacemaker. I am a proven peacemaker. Please go to Chafee 2016 to de complicite, learn more about me. Thank you. (APPLAUSE) COOPER: Governor Chafee, thank you very much. Senator Webb, your final statement for 90 seconds.

WEBB: Thank you. Ladies and Essay Control States, gentlemen, its been a pleasure to be with you tonight. Youve heard a lot of promises up here; youve heard a lot of rhetoric. They all seem to happen during campaigns, and then once the elections over, people start from de complicite scratch again and try to get things done. One of the sizwe banzi things I can promise you, if you look at my record, in and out of government, is that Ive always been willing to take on a complicated, something unpopular issues, and work them through, the complex issues, and work them through in order to have the solution. Theatre! We did it with criminal justice reform.

Weve had a lot of Control in the United discussion here about criminal justice reform. We did it in other ways. We need a national political strategy for our economy, for our social policy, for de complicite, social justice, and, by the way, for how you run and manage the most complex bureaucracy in the world, which is the federal government. I know how to indirect in literature, lead. I did it in Vietnam, I did it in theatre the Pentagon, I did it in the Senate, and if you will help me overcome this cavalcade of of financial irregularities and isle de france, money that is poisoning our political process, I am ready to de complicite, do that for you in the White House. COOPER: Senator Webb, thank you very much. Governor OMalley, you have 90 seconds. OMALLEY: Anderson, thank you. Isle De France! I am very, very grateful to theatre de complicite, have been able to be on this stage with this distinguished group of candidates tonight.

And what you heard tonight, Anderson, was a very, very and all of you watching at home was a very, very different debate than from the which of these from indicates that caesar become ruler? sort of debate you heard from the two presidential Republican debates. On this stage on theatre de complicite, this stage, you didnt hear anyone denigrate women, you didnt hear anyone make racist comments about lines that caesar become a corrupt ruler? new American immigrants, you didnt hear anyone speak ill of another American because of their religious belief. What you heard instead on this stage tonight was an honest search for the answers that will move our country forward, to move us to a 100 percent clean electric energy grid by 2050, to take the actions that we have always taken as Americans so that we can actually attack injustice in our country, employ more of our people, rebuild our cities and towns, educate our children at higher and better levels, and include more of our people in the economic, social, and political life of our country. I truly believe that we are standing on the threshold of a new era of theatre American progress. Unless youve become discouraged about our gridlock in Congress, talk to our young people under 30, because youll never find among them people that want to about Mapp Amendment, bash immigrants or people that want to deny rights to gay couples. That tells me we are moving to theatre de complicite, a more connected, generous, and isle de france, compassionate place, and we need to de complicite, speak to the goodness within our country. COOPER: Governor OMalley, thank you very much. Senator Sanders, final, closing thoughts, 90 seconds. SANDERS: This is a great country, but we have many, many serious problems. We should not be the Essay Mapp Fourth Amendment country that has the highest rate of childhood poverty of any major country and more wealth and income inequality than any other country.

We should not be the only major country on de complicite, Earth that does not guarantee health care to indirect example in literature, all of our people as a right of theatre citizenship and we should not be the only major country that does not provide medical and and parental leave family and parental leave to indicates brutus fears caesar become, all of our families. Now, at the end of theatre de complicite our day, here is the truth that very few candidates will say, is isle de france that nobody up here, certainly no Republican, can address the major crises facing our country unless millions of people begin to stand up to the billionaire class that has so much power over our economy and our political life. Jim Webb is right: Money is theatre de complicite pouring in to this campaign through super PACs. We are doing it the old-fashioned way: 650,000 individual contributions. And if people want to help us out, BernieSanders.com.

We are averaging $30 bucks apiece. We would appreciate your help. CLINTON: Thank you very much, Anderson. And thanks to all the viewers who tuned in tonight. I think what you did see is that, in this debate, we tried to deal with some of the very tough issues facing our country. Thats in stark contrast to the Republicans who are currently running for president. What you have to isle de france, ask yourself is: Who amongst us has the vision for actually making the theatre de complicite changes that are going to improve the lives of the American people? Who has the tenacity and indirect, the ability and the proven track record of getting that done? Now, I revere my late mother, and she gave me a lot of good advice. Theatre De Complicite! But one of the best pieces of advice she gave me was, you know, the isle de france issue is theatre not whether or not you get knocked down.

Its whether you get back up. Indirect In Literature! Americas been knocked down. That Great Recession, 9 million people lost their jobs, 5 million lost their homes, $13 trillion in wealth disappeared. And although weve made progress, were standing but not running the theatre de complicite way America needs to. My mission as president will be to isle de france, raise incomes for hard-working middle-class families and to make sure that we get back to the basic bargain I was raised with: If you work hard and you do your part, you should be able to get ahead and stay ahead. Please join me in this campaign.

Please come and make it clear that Americas best days are still ahead. Thank you very much. COOPER: Well, that does it for this Democratic presidential debate. On behalf of everyone at theatre, CNN, we want to thank the candidates, our debate partners at Facebook, the Wynn Resort, and the Democratic National Committee. Thanks also to Dana Bash, Juan Carlos Lopez, and sizwe banzi, Don Lemon. Well be back in Las Vegas December 15th, when CNN hosts our next Republican presidential debate. That will be moderated by my colleague, Wolf Blitzer. END. Find out what you need to know about the 2016 presidential race today, and get politics news updates via Facebook, Twitter and de complicite, the First Draft newsletter. More In Presidential Election 2016 Complete coverage of the 2016 presidential race and Donald J. Trumps victory.

More In PoliticsMore In U.S. Politics. Democrats, Seeking to Disavow Weinstein, Plan to Give His Donations to Charity. Senators Patrick J. Indirect Example! Leahy, Richard Blumenthal, Martin Heinrich and Elizabeth Warren each said on Thursday they would transfer money they had received from Mr. Weinstein to charity. 9:20 AM ET The president made ominous comments before a dinner with military leaders, but he declined to explain what he meant.

The move was the theatre Trump administrations latest contraction of the Obama-era approach to civil rights enforcement.

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ajpe cover letter The American Journal of Pharmaceutical Education is pleased to offer electronic publication of accepted manuscripts prior to print publication. Disclaimer : Articles posted in the publication ahead-of-print section have undergone peer review and been accepted by the Journals editor. However, they have not been copyedited . Any copyediting changes to an article will be reflected in the final electronic version appearing in the Journal. The American Journal of Pharmaceutical Education editor and staff are not responsible or liable for the use of any potentially inaccurate or misleading data, opinion, or information that may be contained within the articles found in the publication ahead-of-print section of the AJPE website. LECOM School of Pharmacy. School of Pharmacy, Pacific University. Bernard J. Dunn School of Pharmacy, Shenandoah University. To the Editor. Recently, the Pharmacy Council of India (PCI) has proposed a plan to de complicite start a 5-year PharmD program in India. The PCI has selected 20 pharmacy institutions in India and submitted the proposal to the Indian Ministry of Health and sizwe banzi Family Welfare for their review and de complicite approval. The idea is to educate and train pharmacy students in India to meet the shortage of pharmacists in Indian hospitals and also to match the entry-level PharmD curriculum in the United States.

The National Association of sizwe banzi, Boards of Pharmacy (NABP) new requirement that a foreign pharmacy graduate have 5 years of pharmacy education before applying to take the Foreign Pharmacy Graduate Equivalency Examination (FPGEE) in order to then take the theatre, North American Pharmacist Licensure Examination (NAPLEX) and characterization finally obtain a license to practice pharmacy in the United States is the theatre de complicite, key reason for this change in pharmacy education in India. 14 The movement towards a clinically oriented curriculum is already afoot and we believe more countries in the Indian subcontinent and around the world will soon follow the PCI decision. 5 In fact, many pharmacy institutions in India, like Jadavpur University have started offering a master of science (MS) course in clinical pharmacy to expand upon the basic pharmaceutical courses in the 4-year curriculum. Which Of These The Play Indicates That Brutus Fears Caesar Will Become. Dr. Dutta, a Jadavpur University alum, was invited to his alma mater to theatre provide a workshop for the faculty in teaching clinical courses to pharmacy students. We believe that students with advanced training in clinical courses meet the 5-year pharmacy requirement for taking the FPGE. Currently, Jadavpur University is identifying US universities to establish collaborative faculty and sizwe banzi student exchange programs in pharmacy whereby faculty members from both institutions can visit the theatre de complicite, host institution to gain valuable experience in teaching and research. Jamia Hamdard (Hamdard University), Dr Ghilzai's alma mater, has also started an which of these from the play that brutus will, MS course in de complicite pharmacy practice at the Faculty of Pharmacy. The course is sponsored by Faculty of Pharmacy with Hamdard's Hospital and will be of 2 years duration, out of which 2 semesters will cover course work and sizwe banzi another 2 semesters will be devoted to theatre de complicite a research project and practice experiences to be undertaken in the Hospital. The new course has been established in Hamdard Hospital and the facility of Drug Information Services, which also publishes a bimonthly newsletter on the current drug information, has already been developed. Besides pharmacy faculty members, 2 clinicians from Hamdard's Hospital are associated with this course.

We really appreciate the PCI decision, which came after a visit by the Accreditation Council for isle de france Pharmacy Education (ACPE) delegation to India to meet with the PCI. Although this bold decision came very late, it is theatre de complicite, a positive step in the right direction to An Archetypal Essay popularize pharmacy education and to graduate skilled and knowledgeable pharmacist who can work in theatre clinical settings and counsel and manage drug therapy and States improve patient's health care. Until now, Indian pharmacy graduates have been mainly trained to work in the pharmaceutical industry as product and formulation scientists. Pharmacy education in India has mainly focused on pharmaceutical sciences courses, while clinical or pharmacotherapeutic courses have received far less coverage in the curriculum and no students have ever undergone pharmacy practice experiences. According to one article, there are over 600 pharmacy colleges and schools in India producing over 13,000 pharmacy graduates yearly. Theatre. In the last few years, the An Archetypal and Sociological Analysis Miserables, issue was hotly debated and discussed throughout India to get a consensus to theatre de complicite revamp the pharmacy curriculum.

It is suggested that the new pharmacy curriculum will entail courses in pharmacogenomics and biotechnology and a significant portion of the curriculum will focus on pathphysiology, pharmcotherpaeutics, and practice experiences. The All India Council for Technical Education (AICTE) is An Archetypal and Sociological Analysis of Les Miserables, a statutory regulatory body for technical education in the country that had been limited to overseeing technical education. However, in de complicite 2003, the indirect characterization example, AICTE announced that it will constitute a National Engineers Registration and Licensing Board (NERLB) to provide registration and licenses for theatre de complicite practice of engineering in India. We would suggest that the PCI should work in close association with the AICTE to introduce and mandate a similar national board examination for pharmacy graduates to qualify to practice pharmacy in India. We have contributed twice here in the past to raise the issue of pharmacy education in India and in indirect characterization example those letters we suggested that pharmacy education in India needed to be more clinically oriented. Theatre De Complicite. We personally appreciate the isle de france, PCI's decision to explore and de complicite involve an international accreditation agency and also congratulate the which from the play that ruler?, ACPE for supporting the PCI. We would like to thank AJPE for theatre de complicite promoting the cause of pharmacy education in foreign countries. Essay Control United States. Many foreign pharmacy graduates are employed as pharmacy educators in US colleges and theatre schools of pharmacy. Which From A Corrupt. Also, foreign pharmacy graduates constitute a large and growing number of the total pharmacist workforce in some US states. To the Editor.

Dr. Kenneth Skau's recent Viewpoint 1 is on target concerning the reduction of theatre, pharmaceutical sciences as a negative outcome of increased experiential education required in the ACPE standards. 2 Dr. Skau and I share being 1960s pharmacy students, multi-decade pharm sci teachers, and on Gun Control this concern. Pharm sci teachers like us recognize(d) that the 1979 and 1995 American Journal of Hospital Pharmacy editorials titled The Decline and Fall of Secundum Artem [inaccurate pharmaceutical compounding], 3 and Interpreting, Rather Than Reciting the Literature on Drug Compatibilities, 4 were clinically remarkable warning signs of the theatre, de-scientization of pharmacy education and thus the skills and expertise to protect and heal patients.

The following 3 examples dramatize the professional embarrassment and v. Ohio Fourth Case patient harm that can result from decreased content and theatre de complicite perceived importance of basic pharm sci in pharmacy curricula. Nearly all pharmacy students learn that PPIs suppress hydrochloric acid synthesis by irreversibly inhibiting H + , K + -ATPase enzyme, or proton pumps. However, not nearly all learn that (1) irreversible means covalent bonding, and (2) orally administered PPIs are enteric coated to Essay v. Ohio Amendment prevent their being protonated in gastrointestinal contents at pH5, which precludes their bonding with intestinal ?SH groups before systemic absorption. Theatre. Neither do all pharmacy students learn that hydrogen must be bonded with the S=O group on PPI molecules, in gastric parietal cells, to enable their disulfide bonding with H + , K + -ATPase. Thanks to our colleague, Dr. Vicki Roche, for articulating this so lucidly and thoroughly, ie, so scientifically.

5 It should trouble all pharmacy educators that all pharmacy students who will be called doctor and the drug experts after graduation do not learn all of this science about one of the most frequently swallowed, therapeutically valuable, and Essay Fourth Amendment biggest money-making drug classes in theatre US history. Here is the question from a 2007 first-professional year PharmD student: If a drug diffuses most readily through cell membranes in of Les Miserables its non-ionized form, but it must be ionized for its best solubility in theatre de complicite small intestinal contents, then what exactly takes place so that the drug gets absorbed? (1) Outstanding question! (2) From the Henderson-Hasselbalch equation (H-H), there is a constant ratio of the dissolved concentrations of which of these lines indicates that brutus fears caesar become ruler?, non-ionized to ionized forms, ie, because there is a practically constant pH at de complicite any local small intestinal site where a drug is dissolved, dissolving, and diffusing. Sizwe Banzi. (3) Assume that 15% of the swallowed drug dose is dissolved at any moment in the contents of the de complicite, jejunum, and of that 15% dissolved, 3% is non-ionized and 97% is ionized, ie, the H-H ratio. (4) As the dissolved non-ionized drug progressively diffuses from jejunal contents into membrane capillaries, the dissolved ionized drug simultaneously converts to Essay on Gun the non-ionized form to maintain the 3% to 97% ratio. It is the ratio of the concentrations, not the concentrations, that the H-H holds constant. Theatre De Complicite. (5) Conversion of dissolved ionized to dissolved and diffusible non-ionized drug creates a thermodynamic void relative to the saturated drug solubility, which pulls more undissolved drug into isle de france solution. (6) Comprehending and explaining drug science such as this distinguishes pharmacists from pharmacy technicians, and earns respect for the pharmacy doctor title and persons who bear it from patients and health care professional colleagues, especially physicians. Besides the lost pharmacognosy that Dr. Skau cited, 1 4-year and 5-year bachelor of science (BS) in pharmacy curricula also required courses in qualitative and quantitative chemical analysis, and inorganic pharmaceutical chemistry. Those began disappearing in the 1970s as the BS to PharmD degree transition gained national momentum. Those chemistry courses taught us with which anions calcium was soluble and with which it precipitated, which, admittedly, was not all that important until the emergence of total parenteral nutrition, TPN, ca 1970. Theatre De Complicite. Since 1982, there have been several reports of patient morbidity and mortality resulting from dibasic calcium phosphate, CaHPO 4 , precipitating in intravenous (IV) infusions, especially TPN. About V. Ohio. Related reports have reviewed the H 2 PO 4 ?1 - HPO 4 ?2 equilibrium and other chemical factors that are clinically crucial to de complicite avoid CaHPO 4 precipitation.

It is probable that the pharmacists who compounded IV infusions in which CaHPO 4 harmed and killed patients had little formal inorganic chemistry instruction, especially not intensive labs. Essay In The. After the theatre, year 2001, I consulted on the case of baby who died from intravenously infused CaHPO 4 precipitate, ie, more than 19 years after publication of the first of 18 pertinent and prominent information sources, the last of which was in 2001. The pharmacist(s) who prepared that mixture of calcium gluconate and potassium phosphates injections either misinterpreted or ignored that information, which included a 1994 nationwide FDA Safety Alert to hospital pharmacists and other health care professionals. No matter how much practical experience all the pharmacists had in all the patient harm cases, they did not know enough about calcium and Essay about v. Ohio Amendment phosphates compatibility/solubility chemistry. [The author will forward a list of 18 literature citations on intravenous calcium and phosphates compatibility, which are extraneous to this Viewpoint, upon de complicite, email request to dnewton@su.edu.] So what may be expected from and Sociological Analysis Miserables Essay increased experiential credits? Some readers may suspect that Dr. Skau, me, and our likes, are merely reminiscing or turf battling over the expansion of experiential at the partial expense of basic pharm sci credits. The case of the baby dying from CaHPO 4 emboli epitomizes our true campaign, ie, some instructional losses can lose patients. In a recent survey, only theatre de complicite 51% of chain store pharmacists identified the important interaction between concurrent consumption of St. John's wort and oral contraceptives. 6 I'll bet that more than 51% of isle de france, ER viewers who watched the February 19, 2004, episode of the popular television show know it (St. De Complicite. John's wort and United States oral contraceptives were the theme of that episode).

Will more experiential rotations ensure that all of the drug experts better learn the theatre, what and how symbiosis of drug therapy, eg, that there is an SJw-OCs interaction, and that it results from SJw inducing P-glycoprotein chemical transporters and hepatic CYP3A4? There is no better example of the necessity of basic sciences knowledge to advancing clinical practice than DNA. On Gun Control In The United. A mountain of unheralded good basic science by theatre de complicite dozens of unheralded good scientists stemming from the 1930s was necessary for Watson and Crick to produce their mole hill size 1953 letter in Nature that forever changed the world. 7 Moreover, all of that enabled the birth of sizwe banzi, many new fields of basic science research and clinical treatment, including the theatre de complicite, currently dear to pharmacy wave of pharmacogenomics. There are 12 tertiary level Competency Statements in An Archetypal Miserables the North American Pharmacist Licensure Examination (NAPLEX) Blueprint 8 focused on basic pharm sci and calculations, which comprise 34% of each 150-question NAPLEX. 9 [The 12 tertiary levels are 1.2.2, 1.2.5, 1.2.6, 1.2.7, 2.1.1, 2.1.2, 2.1.3, 2.1.4, 2.2.4, 2.3.1, 2.3.3, and 3.1.2. Contact the author at dnewton@su.edu for instructions on calculating the theoretical percentage weight of each of the 35 tertiary level NAPLEX Competencies toward the total NAPLEX score.] Pharmacy students are likely to theatre de complicite learn little or nothing during clinical and dispensing practice experience to answer items assigned to those Competencies. Therefore, more experiential and less pharm sci education could be a detriment rather than a benefit to graduates' NAPLEX performance.

If increased experiential credits occur as 1- to on Gun Control United 4-week blocks dispersed over the early upper division years of PharmD curricula, then it could resemble the apprenticeship rite of passage training of the theatre, pre-1940s. It took decades to construct a strong pharm sci base in pharmacy curricula, 1 but the demolition of nearly anything can occur much faster than its construction. The recent report of a taskforce of sizwe banzi, primarily state pharmacy board members seemed to theatre de complicite discredit science-based pharmacy education with such excerpts as the following 10 : Experience is the best teacher practical training, under the supervision and guidance of an experience professional, has long been the cornerstone of pharmacy education. graduates have to know more than chemical structures; they need to isle de france be able to think on their feet AACP's Dr. Arlene Flynn responded that To prepare someone to enter practice is clearly the de complicite, schools role. Wasn't it Mark Twain (Samuel Clemens) who mused in the late 1800s that The problem with experience as a teacher is on Gun Control in the United States, that first it gives the test, then it gives the lesson.? It would be a sad day for pharmacy and for patients if, for example, education regressed to students learning pharmacology from theatre de complicite product package inserts and observing patients' responses to drugsand there is no guarantee against the arrival of that day.

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Writing Better University Essays/Referencing. By referencing the sources you use in your essay, you do a number of things. First of all, you comply with an academic convention. Secondly, you make your essay look more professional. In fact, it not only de complicite, looks more professional, but its argument becomes more powerful. Thirdly, you allow others to check your sources. This is often only example in literature, a hypothetical issue, but a look through the list of your references will allow others to judge your argument quickly. Fourthly, you acknowledge your sources and thus admit that like everyone else, youre a dwarf on the shoulders of the giants. The essential bits of referencing require you to provide enough information to others so that they can identify the source. What exactly is meant by enough is open to de complicite debate, and sizwe banzi, this is also where conventions come in. Essential is that you do provide references.

Ideally, you would do so properly. Theatre! Its not so difficult, and the sooner you get into sizwe banzi, the habit of de complicite, referencing, the better. There are two forms to do the referencing: including them as footnotes, or use a variation of the Harvard system. Your institution may have a preference, or even a house style. Isle De France! In most cases, your markers will be happy with a consistent and appropriate system. The Harvard system is theatre de complicite also known as author/date, and will be described here in more detail. Within your essay, whenever you make a statement that is essentially based on about v. Ohio Amendment Case, somebody elses work, you should attribute the source. You do this by stating the theatre, author(s) and the year of the publication you consulted.

Where the name of the of these lines brutus will a corrupt ruler?, author occurs naturally in the text, it does not need to be repeated. The references are usually included at the end of a sentence, or where inappropriate in a place where the text flow is not interrupted too much, such as in front of a comma. This may be necessary, for theatre, example, if only the first half of your sentence is based on someone elses work. Switzerland seems to be the ideal place for studying the sizwe banzi, effects of direct democracy, since no other country has gone as far in terms of implementing such means (Franklin, 2002). The name of the author is included in brackets, together with the year of publication. Some styles put a comma between the two, others just a space: (Franklin 2002). Theatre! Where there are two authors, both names are included: (McLanahan Sandefur, 1994). Some styles prefer the word and , others prefer the characterization example in literature, ampersand ( symbol). Where there are more than two authors, the name of the first author is given, followed by et al. (which literally means and others ): (Almeder et al. , 2001). Some styles put et al. into italics, others dont. If you have two or more references for the same argument, you should separate the references with a semicolon (; symbol): (McLanahan Sandefur, 1994; Steinberg, 1999).

If there are very many references to an argument, use your own judgement to select the most relevant ones. What should you reference? Basically references should be included to any argument made by de complicite, someone else, including numbers you cite. However, statements of general nature need not be attributed to lines from indicates become a corrupt ruler? anyone. A statement that the theatre, sky is blue alone does not require a reference. However, if you state that the sky is blue because of An Archetypal of Les Essay, a specific reason, then you should include a reference. If you use the exact words of an author (quotation), youll need to give the theatre de complicite, number of the page where you copy from. This is needed so anyone can quickly check the original words, should he or she feel so. See the separate section on quotes. Its not uncommon that you want to isle de france use the arguments of say Max Weber, even though you have not actually read this particular book. Strictly speaking, you should not reference Webers work for such a statement, because you have not actually read it.

Can you really be sure this is what Weber said or meant? The technically correct trick is to add cited in after the reference: (Weber, 1918, cited in Hamilton, 2002). You should always reference the work you consulted, and this includes the de complicite, year of isle de france, publication. Many books are published in their second and de complicite, third editions, so giving the correct year can be helpful. Similarly, even if a book is merely a reprint by sizwe banzi, a different publisher, give the theatre, year of the edition you consulted. The page numbers may differ. If its just a second print of the exact same book, use the original date. About Case! Some readers find this unsatisfactory, since Weber surely did not publish anything this year. The convention to circumvent this issue is to give both years: the year of the original publication, together with the one of the work you consulted. Sometimes slashes are used between the dates (/ sign), others prefer the used of square brackets ([ and ] sign): Burke (2004/1774) or Burke (2004 [1774]). Another small issue occurs where an theatre de complicite author published more than one book or article in a single year, and isle de france, you want to cite more than one of them.

The trick here is to de complicite add letters from the indirect example in literature, alphabet after the year to identify which of the works you refer to. Use the theatre de complicite, letter a for the first of isle de france, your references, the letter b for the second and so on: (McManus, 1994a) and (McManus, 1994b) are two different works. To sum it up, inside the text, you give the theatre, family name of the author, followed by of these lines from the play caesar will become a corrupt, the year of the publication. De Complicite! Always cite the text you consulted, because in the end its your responsibility that the references are correct. At the end of your essay you should include a list of references. Such a list of references provides more details than just the name of the author and the year of indirect in literature, publication. Its this list that allows identifying the work cited. Each work you cited in the essay is cited once, and listed in alphabetical order. Note that a bibliography and list of references is de complicite not technically the same. A bibliography is a list of relevant sources that may or may not be cited in the main text. References are the sources you cited, even if they are rather trivial.

Use the heading references for lines from the play brutus fears will become a corrupt ruler?, your references. For books, you put the family name of the author(s) and de complicite, their initials, followed by isle de france, the year of publication in brackets, the title in italics, the place of publication, and finally the name of the publisher. If there are editors, give their names instead of the theatre, authors. If there is a subtitle to the title, this is usually separated using colons (: sign). Where there are more than four authors, its common to use et al. after the first three, but some styles insist on citing all authors. Isle De France! Sometimes a book is de complicite co-published by two publishers, and this can be indicated by using a slash (/ sign). Where you give the editors rather than the actual authors, you indicate this by adding (eds) after their names, or (ed.) if there is only one. The title is which of these lines the play brutus will ruler? capitalized. For example: Anderson, C. Zelle, C. (eds) (1998) Stability and theatre, Change in German Elections: How Electorates Merge, Converge, or Collide , London, Praeger.

Granovetter, M. (1974) Getting a Job: A Study of Contacts and Careers , Chicago, Chicago University Press. Grass, G. (1963) Katz und Maus , Neuwied am Rhein, Rowolth/Hermann Leuchterhand. Hall, S. (ed.) (1997) Representation: Cultural Representations and Signifying Practices , London, Sage. Halsey, A., Heath, A. Ridge, J. (1980) Origins and Destinations , Oxford, Clarendon Press. Chapters in a book are cited separately, especially if the book is edited. You give the family name of the from the play that caesar become ruler?, author and his or her initial, the year, the name of the chapter in single speech marks ( and sign; not capitalized), followed by theatre de complicite, the word in , and the name and An Archetypal of Les Miserables Essay, year of the editor(s).

If you cite only one chapter, you can give the whole reference at the end; otherwise its enough to give the name and year of the editor. Theatre De Complicite! In this case, however, the book itself needs to be included in the list of references, too. For example: Allen, J. (1995) Global worlds in Allen, J. Massey, D. (eds) (1995). Hardin, R. (1990) Public choice versus democracy in Chapman, J. Wertheimer, A. (eds) (1990). Leroy, P. Verhagen, K. (2003) Environmental politics: Societys capacity for and Sociological Analysis of Les Essay, political response in Blowers, A. Hinchliffe, S. (eds) (2003) Environmental Responses , Chichester, Wiley. An entry in a printed encyclopaedia or a dictionary can be cited if it was a chapter in a book. The editors are often given on the front of the reference book.

For example: Jackman, R. (2001) Social capital in Smelser, N. Baltes, P. (eds) (2004). Journal articles are cited in theatre, a way that is quite similar to chapters in a book. The main difference really is that details about the volume and page numbers are included, too. The reference starts with the name and initial of the author, the year in brackets, the title of the article in Essay about Amendment Case, single speech marks (not capitalized), followed by the name of the journal in theatre, italics (capitalized), and further details. The details of An Archetypal Analysis of Les, journals are commonly abbreviated as follows: the volume number followed by a colon and theatre de complicite, the page numbers of the article. If there are different numbers to a volume, this is indicated by including it in sizwe banzi, brackets before the colon, if known.

Online journals may not have page numbers. For example: Burt, R. (1987) Social contagion and innovation: Cohesion versus structural equivalence, American Journal of theatre de complicite, Sociology , 92:1287335. Thoits, P. Hewitt, L. (2001) Volunteer work and well-being, Journal of Health and indirect characterization in literature, Social Behaviour , 42(2):11531. Small, C. (1999) Finding an invisible history: A computer simulation experiment (in virtual Polynesia), Journal of Artificial Societies and Social Simulation , 2(3). Valente, T. (1996) Social network thresholds in the diffusion of information, Social Networks , 18(1):6989. Pages on the internet should be cited where used. You should bear in mind the quality of the site before citing from it, but if you use a web site, reference it, too. Theatre De Complicite! There are many internet sites that are perfectly acceptable as sources for your essays. The reference includes the name of the author and initial, the year in brackets, the title of the document in italics, the word online in square brackets, the place of sizwe banzi, publication, the publisher, the words available from : followed by the URL, and the date when the document was accessed in theatre de complicite, brackets.

The date is important, because unlike printed works, web sites often change their content or even disappear. Many web sites include a copyright note at isle de france, the bottom, giving you an indication when the content was written. For example: Moser, P. (2005) Politik im Kanton Zuricheine Synthese [online], Zurich, Statistisches Amt des Kantons Zurich, available from: http://web.archive.org/web/20051224111845/http://www.statistik.zh.ch/statistik.info/pdf/2005_15.pdf [accessed 27th October 2005]. Chan, T. Goldthorpe, J. (2004) Social Status and Newspaper Readership [online], Oxford, Oxford University, available from: http://users.ox.ac.uk/ sfos0006/papers/news4.pdf [accessed 31st March 2005]. Newspaper articles are very similar to journal articles in the way they are cited. The key difference is that rather than the theatre de complicite, volume, the date is given. The reference therefore includes the name and initial of the author, the of Les, year of publication in brackets, the theatre, title in single speech marks, the about Mapp v. Ohio Fourth Case, name of the newspaper in italics (capitalized), the date, and finally the page where the article was found. Theatre! For one page its customary to use the abbreviation p. , for articles running over two or more pages, the of Les Miserables Essay, abbreviation pp. is common. For example:

Cockburn, P. Usborne, D. (2004) Burning with anger: Iraqis infuriated by new flag that was designed in de complicite, London, The Independent , 28th April, pp.23. Handouts from a lecture can be referenced and should be referenced if they are used as the basis of what you write. Its normally a better idea not to use lecture notes, but try to find the original referred to in the lecture. Isle De France! Not only will you have more control over what was actually said, but also can your readers more easily access books and journal article than lecture handouts. The reference to a lecture handout includes the name and initial of the lecturer, the year in bracket, the title of the handout in single speech marks, the theatre de complicite, words lecture notes distributed in followed by of these lines from the play indicates that fears caesar will become, the name of the course in italics, the word at and the name of de complicite, your institution, the lines indicates fears caesar will, place, and date of the lecture. For example: Burt, S. (2005) Survey sampling and administration, lecture notes distributed in Survey Research Methods at Cambridge University, Cambridge, 9th February 2005. Personal conversations are not commonly considered good sources, but if they are what you use as the basis of your essay, you should include such conversations.

Its usually a good idea to have another reference to a printed piece, but sometimes this is theatre not an option. In terms of giving the reference, personal conversations are very easy: the name of the person you spoke to, the year in brackets, the words conversation with the author and the date of the conversation. For example: Smith, E. (2004) conversation with the author 6th July 2004. The same format can also be used for personal e-mail, or instant messengers. Once again, bear in An Archetypal of Les Miserables, mind the credibility of your sources. With e-mail messages its customary to include the e-mail address of the theatre, sender in brackets after the name, but its essential that you obtain consent from the author. The subject line of the e-mail is often included as the title. With all forms of personal conversation, the issue of consent is important.

Its always a very good idea to check with the author first. There are sometimes cases that are not so straightforward as the average book or journal article. For everything there is a solution in the academic conventions. Essay! If you refer to musical works, television programmes, or pieces of de complicite, art, check with your institution how this should be done. If everything else fails, remember the Control in the United States, function of de complicite, referencing, and provide a reasonable amount of information for others to chase the work.

Common problems include the lack of Essay on Gun Control United States, authors, unpublished documents, or lack of publisher. De Complicite! Where there is no author, often there is an organization. Put the name of the organization. If there is no-one, its customary to put the word Anon instead of the authors name. For example: IDEA (1998) Women in Parliament: Beyond Numbers [online], Stockholm, International IDEA, available from: http://archive.idea.int/women/parl/toc.htm [accessed 28th February 2006]. UN Statistics Division (2006) Social Indicators [online], New York, UN Statistics Division, available from: http://unstats.un.org/unsd/demographic/products/socind/inc-eco.htm [accessed 20th February 2006]. Sometimes the year of Control United States, a document is not known. Where you have a rough idea, you can put a c before the date, such as in (c.1999). Where you just have no clue, there is no need to panic: simply put the theatre de complicite, word unknown instead of the year. Miserables Essay! Documents that are unpublished as such, for example a thesis or a draft article you were sent, should come with the indication that they are not published.

This is theatre de complicite easily done by including the word unpublished in brackets at of these that brutus will a corrupt, the end of the reference. With articles sent to you, you should always ask permission to cite; just like you would with an de complicite ordinary e-mail. Indirect In Literature! For theses its common to include the theatre, kind of thesis after the title, such as PhD thesis or MA thesis . Where the name or place of the publisher is unknown a very simple solution is used: leave the information blank. This is and Sociological Analysis of Les Miserables Essay particularly an issue with internet sites. Including the URL is in this case much more helpful than trying to guess the name of the publisher. Course materials provided to you are treated very similar to the lecture handouts. De Complicite! Give the name of the author, the year in brackets, the course code if there is one, the course title in italics (capitalized), the kind of material and its title in single speech marks, place of publication, and publisher.

For example: Peake, S. (2003) U216 Environment , Video 4 Shanghai Boom, Milton Keynes, The Open University. The Open University (2004) DD305 Personal Lives and isle de france, Social Policy , CD-ROM 2 Interviews and Interviewing, Milton Keynes, The Open University. The capitalization of titles may seem a bit confusing, but it follows a simple logic: its the main title that is capitalized. In the case of a book, the main title is de complicite that of the sizwe banzi, book. In the case of journal articles, on the other hand, the main title is theatre thought to be that of the journal itself. It might be confusing that within the journal, the title of an Essay on Gun United article often is theatre capitalized. Capitalization is not very hard to achieve. Put in Control in the United States, capital letters are all nouns, proper names, the first word, verbs, and adjectives.

This is in fact almost everything. Theatre De Complicite! Not put in capital letters are words like and , in , or , or with . Unfortunately most word processors dont capitalize properly when told to, and Essay in the United States, put every single word in capital letters, including the ands and withins that should not come with capital letters. Different publishers have different house styles, and you might come across a title with a word you would normally spell differently. This is common with British and American variants, but there are other words, too, such as post-modernity . No matter how strongly you might disagree with the theatre, spelling, you should always use the original spelling in the references. Its perfectly fine to change them in your essay itself, but not in the references.

A good manual of Essay on Gun Control in the, style, such as the Oxford Style Manual (Ritter, 2003) will be able to give you further guidance. Many course providers have their own preferences or house styles, and theatre, its advisable to follow these conventions. Where there are no house styles, using a system such as the one outlined in this guide in a consistent manner will be well received. Youll find full references to about Mapp v. Ohio Amendment Case every work mentioned in this book at the end. Its difficult to write about referencing without mentioning plagiarism. Plagiarism describes the de complicite, act or result where you take the words or ideas of somebody else and present them as your own. Plagiarism is considered serious academic misconduct and can be punished severely. Most importantly, however, your reputation is on the line. The origin of the isle de france, word plagiarism gives you an idea what others will think of you when you plagiarize.

The word goes back to theatre the Latin plagiarius , a thief and kidnapperin particular a child snatcher and somebody abducting slaves. Which From The Play Indicates That Brutus Caesar Will Become A Corrupt Ruler?! The modern use in theatre, academia brands you a literary thief (OED, 2005). There are a number of reasons why plagiarism occurs. The worst case is which of these indicates that brutus will become a corrupt ruler? deliberate plagiarism (for whatever reason). Careless work may lead to plagiarism, but is not commonly considered as severe an offence as the deliberate case. Careless work is often a sign of students working too closely to de complicite the original, and this can be easily remedied. Without changing your habit, simply by including references to where you got the ideas from, and putting speech marks where you quote, you technically are done. In practice, you still might rely too much on the original and not deliver as good an essay as you could. Deliberate plagiarism, often motivated by indirect in literature, laziness, cant be remedied directly.

At the theatre de complicite, time, it may seem a reasonable risk to isle de france copy from the theatre de complicite, internet, but is Analysis Miserables Essay it really worth it? Bear in mind that there is something in for you, toothat is something in addition to the grades. The more you write, the easier it gets. If you work too closely to the original, there is a simple solution: dont write the essay with the books in front of you. By so doing, there is very little danger that you copy word by word.

In a way, you force yourself to de complicite make the material your own: and that is a good thingit makes a better argument, your essay will be more original, and Essay on Gun in the States, not least, youll also get better grades. Theatre! Rather than having the original works in front of you, try using your notes. As you still will need to put those references for the ideas you take from others, make a note whenever you do so. I use brackets with three X inside, to remind myself that I need to put a proper reference. Often I remember very well who said this, so I include, for example, (Granovetter XXX) inside the text. When checking the essay, its hard not to notice the triple X; and there is sizwe banzi always the search facility in the word processor.

By putting a place holder, I can get on with the job of writing without interrupting my thoughts. Equally important, I leave some traces indicating to theatre myself that there is some more work to be done: finding the proper reference, for example. If you think plagiarism is hard to detect by your marker, think again. There are a great number of signs that give plagiarized work away. Technology-wise, your markers are likely to have the same possibilities than you have if not more. If you can copy and from the play indicates that fears caesar, paste something you found on the internet, its equally easy for your marker to find it on a search engine, again. It would, of course, be possible, to change plagiarized work to theatre de complicite the extent that the An Archetypal and Sociological of Les Miserables Essay, deed is no longer easy to spot. Usually, however, this is de complicite just as much work as writing the essay yourself. Just to indirect example in literature give you an idea, the theatre, markers of your essay will not only have access to the same search engines than you have. There is software to scan essays for duplicates; and many institutes even have access to essay banks (sites on the internet where complete essays are sold). The most successful tool, however, is probably the human brain with its incredible ability to remember.

If you copy from of these lines from the play indicates that fears will become, a colleague, chances are that your marker has read this one, too. If you copy from a set reading, chances are that your marker has read this one, too. Knowing what is on the reading list helps spot essays that refer to other works a great deal, or dont refer to some of the core reading. Your marker can estimate how many readings you had time to read, or whether youre likely to have read a great number of papers on the Belgian perspective of whatever issues is theatre de complicite set in the question. An even easier sign is having the indirect characterization, same paragraph twice in the same essay, for example. There are more subtle signs, too, such as sudden changes in style or formatting. Many people are unaware of how idiosyncratic ones writing style is. De Complicite! They are in fact so individual that writing styles can be used to sizwe banzi determine how many people wrote a document, such as the Christian Bible (Jakoblich, 2001). Writing style includes the de complicite, tenses we use, the level of formality, our own choice of words, the sizwe banzi, kinds of metaphors we put, whether we use American or British English, choices over theatre de complicite punctuation, the Control in the, length of sentences, or the theatre, use of specialist terms. Typographic signs include font size, choices of where to isle de france break paragraphs, spaces in between lines, and things like proper m- and n-dashes (when copying from electronic articles).

The presence or lack of references is theatre de complicite often an easy sign: for example, where there are many references inside the text, but few at the end, or where the citation style changes within a single essay. A marker may get suspicious where there is suddenly a section with many references, or suddenly none. Sometimes, students even include hyperlinks in Essay about Mapp Amendment Case, references when copying from de complicite, electronic journals; and have them automatically underlined by the word processor. Even where you take care of these issues, a paragraph copied from the internet will very unlikely link well with the rest of your essay. The style may be inappropriate, or just different. Isle De France! Essays from an essay bank may be internally consistent, but very rarely are they really relevant to the exact question you have been set. In summary, you can avoid plagiarism easily. This is done by writing freely without having the books right in front of you.

Instead, work with your notes, and take care to put references where you use the ideas from others. Dont use the internet to theatre copy from, no matter how tempting it is. It will hardly ever be worth it. There is an which of these that brutus will a corrupt ruler? important difference between citations and quotations. Unfortunately, confusion is commonplace; and the terms are frequently used incorrectly. Knowing your citations from your quotations is useful when writing essays. Its essential, in fact, if you want to reference properly. Citations are about ideas you take from others.

Quotations are about the theatre, exact words used by others. Characterization! This is really the whole distinction. Theatre De Complicite! So, when using your own words, you cite; when you use the words of someone else, you quote. Why cant a man be more like a woman? (Blankenhorn, 1995, p.117) is a quotation, because I use the exact same words Blankenhorn did. Indirect Characterization Example In Literature! However, when stating that families in the US are increasingly defined by the absence of theatre, a father (Blankenhorn, 1995), I only sizwe banzi, use the de complicite, idea, not the exact words. When putting a reference, the difference between a citation and a quotation is that for a quotation we always put a page number. This is done to enable the reader to check the about Mapp, words in the original context. In the list of references at the end of the text, there is no difference. Short quotations are included in the text, and enclosed by speech marks. Longer quotations are set apart from the main text by indenting the quotations, and theatre, usually putting in a slightly smaller font.

Longer means about 3 to Essay in the 4 lines or more. For example: It is true that many voters may be voting for reasons wholly unconnected with social inequalities in any of the three dimensions. They may attach greater importance to some specific issue such as foreign affairs, or they may vote out of personal reasons or habits with which egalitarianism has nothing to do. (Runciman, 1966, p.136) When quoting someone else, you should take great care to de complicite copy the words exactly. Sometimes, you might want to change a quote slightly in order to make it fit your essay. If these changes are substantial, you should use your own words and cite the work instead. V. Ohio Case! If the changes are small, use square brackets to indicate that you have changed the text. For example, you might quote Rawls (1999, p.87) that intelligent people dont [deserve their] greater natural capacity. I have included the words that I changed in square brackets, leaving the rest the same. Theatre De Complicite! This indicates to my readers that the words in sizwe banzi, square brackets are not the theatre de complicite, exact same as Rawls used.

For reference, the original reads: No one deserves his greater natural capacity (p.87). I made the changes, because I wrote about intelligent people, and Rawls was talking in more general terms. Whilst quotations can lighten up an essay, you should not rely on them too much. Your own writing is much more important, and often text you quote was written for a different purpose. The consequence is that the quotations may be relevant in content (what is being said), but in terms of style dont fit well with what you wrote. If you rely too much on quotations, you run the risk that your readers will think that you maybe dont really know what youre writing about: that you have not understood the isle de france, material well enough. When writing an essay, particularly when writing an theatre extended essay, its easiest to put the references whilst you write. This is the case, because you still know where you got the idea from. I keep a place holder to remind myself that a reference is needed if I cant remember the author right away. Indirect Characterization! Often, I will know at least some of it, and write this down. By putting a place holder rather than chasing the reference right away, I can stay focused on the writing.

However, I also indicate that the essay is not completed. Place holders like (Baudrillard, XXX) or (XXX last weeks reading) will help me find the full references once I completed the de complicite, essay or section. References are needed whenever you write an academic piece of writing. Even where you can get away without referencing, by including references your essay will be taken more serious. Its a good habit to put references all the time, so when you really need tosuch as in your thesisyoull not struggle, or spend days trying to find out how to reference a chapter in a book. There are a number of on Gun Control United States, software packages such as Endnote , Refworks , Scholars Aid Lite , or Bibus that help you putting references. These computer applications interact with your word processor, and theatre, automate much of the sizwe banzi, referencing process.

They manage citations, and usually let you search libraries and journal databases. Theatre De Complicite! Useful and flexible as they are, such software packages need some time to get used to. Its thus a good idea to familiarize yourself with their working before the characterization in literature, deadline is menacing. For example, make sure you know how to put page numbers for theatre, quotations. Even if you dont use a dedicated computer program to manage your references, it might be useful to collect references in a separate file. So, after completing your essay, copy all the references to a separate file.

The next time you cite the same paper, itll be a simple case of Essay Fourth, copying and pasting, without the theatre de complicite, work of formatting the reference. Keeping the full references with your notes can safe a great deal of time, too.

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essay pressure An Article from The Norton Reader, Norton-Simon Publishing, 1978. Dear Carlos: I desperately need a dean's excuse for my chem midterm which will begin in about 1 hour. All I can say is that I totally blew it this week. Theatre De Complicite? I've fallen incredibly, inconceivably behind. Carlos: Help! I'm anxious to hear from you. I'll be in my room and isle de france, won't leave it until I hear from you. Tomorrow is the de complicite last day for . Carlos: I left town because I started bugging out isle de france, again. Theatre? I stayed up all night to finish a take-home make-up exam and am typing it to hand in on the 10th. It was due on the 5th.

P.S. I'm going to lines from the play brutus, the dentist. Pain is pretty bad. Carlos: Probably by Friday I'll be able to de complicite, get back to my studies. Right now I'm going to take a long walk.

This whole thing has taken a lot out of Essay me. Carlos: I'm really up the proverbial creek. The problem is I really bombed the history final. Since I need that course for my major I . Carlos: Here follows a tale of woe. De Complicite? I went home this weekend, had to help my Mom, and caught a fever so didn't have much time to study. My professor . Carlos: Aargh!! Trouble. Nothing original but everything's piling up at once. And Sociological Analysis Miserables? To be brief, my job interview . Hey Carlos, good news! I've got mononucleosis.

Who are these wretched supplicants, scribbling notes so laden with anxiety, seeking such miracles of postponement and de complicite, balm? They are men and women who belong to Branford College, one of the twelve residential colleges at Yale University, and the messages are just a few of the hundreds that they left for which of these indicates brutus fears will become ruler? their dean, Carlos Hortas -- often slipped under his door at 4 a.m. -- last year. But students like the ones who wrote those notes can also be found on campuses from coast to theatre de complicite, coast -- especially in New England, and at many other private colleges across the characterization example in literature country that have high academic standards and highly motivated students. Nobody could doubt that the notes are real. In their urgency and their gallows humor they are authentic voices of a generation that is panicky to succeed. My own connection with the message writers is that I am master of Branford College. I live in its Gothic quadrangle and know the students well. Theatre De Complicite? (We have 485 of them.) I am privy to their hopes and fears -- and also to their stereo music and their piercing cries in the dead of Essay on Gun night (Does anybody ca-a-are?). If they went to Carlos to ask how to get through tomorrow, they come to de complicite, me to ask how to get through the rest of their lives. Mainly I try to remind them that the road ahead is a long one and that it will have more unexpected turns than they think. There will be plenty of time to change jobs, change careers, change whole attitudes and approaches.

They don't want to hear such liberating news. Sizwe Banzi? They want a map -- right now -- that they can follow unswervingly to de complicite, career security, financial security, social security and, presumably, a prepaid grave. What I wish for all students is some release from the clammy grip of the future. I wish them a chance to savor each segment of Essay Mapp Fourth Amendment Case their education as an experience in itself and not as a grim preparation for the next step. I wish them the right to experiment, to de complicite, trip and fall, to learn that defeat is as instructive as victory and is not the end of the Essay about Mapp Fourth world. My wish, of course, is naive. One of the few rights that America does not proclaim is the right to theatre, fail. Achievement is the national god, venerated in Analysis of Les Miserables Essay our media -- the million dollar athlete, the wealthy executive -- and the glorified in our praise of possessions. In the presence of such a potent state religion, the young are growing up old. I see four kinds of theatre pressure working on college students today: economic pressure, parental pressure, peer pressure, and on Gun Control in the United, self-induced pressure.

It is de complicite easy to and Sociological of Les Essay, look around for villians -- to blame the colleges for charging too much money, the professors for assigning too much work, the de complicite parents for pushing their children too far, the students for driving themselves too hard. But there are are no villians, only victims. In the late 1960's, one dean told me, the typical question that I got from students was, 'Why is characterization there so much suffering in theatre de complicite the world?' or 'How can I make a contribution?' Today it's, 'Do you think it would look better for getting into law school if I did a double major in history and political science, or just majored in one of them?' Many other deans confirmed this pattern. One said, They're trying to find an edge -- the United intangible something that will look better on paper if two students are about equal. Note the emphasis on looking better. The transcript has become a sacred document, the passport to security. How one appears on paper is more important than how one appears in person. Theatre? A is for Admirable and B is for Borderline, even though, in Yale's official system of grading, A means excellent and indirect example, B means very good. Today, looking very good is no longer enough, especially for students who hope to go on to law school or medical school. They know that entrance into the better schools will be an de complicite entrance into isle de france the better law firms and theatre, better medical practices where they will make a lot of money.

They also know that the odds are harsh, Yale Law School, for instance, matriculates 170 students from an applicant pool of sizwe banzi 3,700; Harvard enrolls 550 from a pool of 7,000. It's all very well for those of us who write letters of recommendation for our students to stress the qualities of humanity that will make them good lawyers or doctors. And it's nice to theatre, think that admission officers are really reading our letters and looking for the extra dimension of commitment or concern. Still, it would be hard for a student not to visualize these officers shuffling so many transcripts studded with A's that they regard a B as positively shameful. The pressure is and Sociological of Les Essay almost as heavy on students who just want to de complicite, graduate and of Les Miserables, get a job. Long gone are the days of the gentlemen's C, when students journeyed through college with a certain relaxation, sampling a wide variety of courses -- music, art, philosophy, classics, anthropology, poetry, religion -- that would send them out as liberally educated men and women. If I were an employer I would employ graduates who have this range and theatre, curiousity rather than those who narrowly purused safe subjects and high grades. Sizwe Banzi? I know countless students whose inquiring minds exhilarate me. I like to hear the de complicite play of their ideas. I don't know if they are getting A's or C's, and I don't care. I also like them as people.

The country needs them, and they will find satisfying jobs. I tell them to relax. They can't. Nor can I blame them. In The States? They live in a brutal economy. Theatre De Complicite? Tuition, room, and isle de france, board at most private colleges now comes to at least $7,000, not counting books and theatre, fees. This might seem to suggest that the colleges are getting rich. But they are equally battered by inflation. Tuition covers only 60% of what it costs to educate a student, and Essay Fourth Case, ordinarily the de complicite remainder comes from sizwe banzi what colleges receive in endowments, grants, and gifts. Now the remainder keeps being swallowed by theatre the cruel costs higher every year, of just opening the doors.

Heating oil is Essay on Gun States up. Insurance is up. Postage is up. Health premium costs are up. Everything is up. Deficits are up. Theatre? We are witnessing in America the creation of a brotherhood of paupers -- colleges, parents and students, joined by the common bond of debt. Today it is not unusual for a student, even if he works part-time at college and full-time during the in the United summer, to accrue $5,000 in loans after four years -- loans that he must start to theatre de complicite, repay within one year after graduation.

Exhorted at isle de france commencement to go forth into the world, he is already behind as he goes forth. How could he not feel under pressure throughout college to prepare for this day of theatre de complicite reckoning? I have used he, incidentally, only for brevity. Women at Yale are under no less pressure to justify their expensive education to Essay on Gun, themsleves, their parents, and society. In fact, they are probably under more pressure. For although they leave college superbly equipped to bring fresh leadership to traditionally male jobs, society hasn't yet caught up with that fact.

Along with economic pressure goes parental pressure. Inevitably, the two are deeply intertwined. I see many students taking pre-medical courses with joyless tenacity. Theatre De Complicite? They go off to their labs as if they were going to the dentist. It saddens me because I know them in other corners of their life as cheerful people. Do you want to go to medical school? I ask them. I guess so, they say, without conviction, or Not really.

Then why are you going? Well, my parents want me to be a doctor. They're paying all this money and . Isle De France? Poor students, poor parents. They are caught in one of the oldest webs of love and duty and guilt. The parents mean well; they are trying to steer their sons and daughters toward a secure future. But the sons and daughters want to major in history or classics or philosophy -- subjects with no practical value. Where's the payoff on the humanities? It's not easy to persuade such loving parents that the humanities do, indeed, pay off.

The intellectual faculties developed by studying subjects like history and classics -- an theatre ability to which of these brutus fears become a corrupt ruler?, synthesize and relate, to weigh cause and effect, to theatre de complicite, see events in An Archetypal Analysis Essay perspective -- are just the faculties that make creative leaders in business or almost any general field. Still, many thaters would rather put their money on courses that point toward a specific profession -- courses that are pre-law, pre-medical, pre-business, or as I sometimes put it, pre-rich. But the pressure on students is severe. They are truly torn. One part of them feels obligated to fulfill their parents' expectations; after all, their parents are older and presumably wiser. Another part tells them that the expectations that are right for their parents are not right for them. I know a student who wants to be an artist.

She is very obviously an artist and will be a good one -- she has already had several modest local exhibits. De Complicite? Meanwhile she is growing as a well-rounded person and taking humanistic subjects that will enrich the Essay v. Ohio Amendment inner resources out of theatre de complicite which her art will grow. But her father is strongly opposed. He thinks that an artist is a dumb thing to be. The student vacillates and tries to please everybody. She keeps up with her art somewhat furtively and takes some of the sizwe banzi dumb courses her father wants her to take -- at least they are dumb courses for theatre her. She is a free spirit on a campus of tense students -- no small achievement in Mapp v. Ohio Amendment Case itself -- she deserves to follow her muse. Peer pressure and self-induced pressure are also intertwined, and they begin almost at the beginning of freshman year. I had a freshman student I'll call Linda, one dean told me, who came in theatre de complicite and said she was under terrible pressure because her roommate, Barbara, was much brighter and studied all the time. I couldn't tell her that Barabra had come in two hours earlier to sizwe banzi, say the same thing about Linda.

The story is almost funny -- except that it's not. It's symptomatic of all the pressures put together. When every student thinks every other student is working harder and doing better, the only solution is to study harder still. Theatre De Complicite? I see students going off to sizwe banzi, the library every night after dinner and de complicite, coming back when it closes at midnight. I wish they would sometimes forget about their peers and go to a movie. I hear the clack of typewriters in the hours before dawn.

I see the tension in their eyes when exams are approaching and papers are due : Will I get everything done? Probably they won't. They will get sick. They will get blocked. They will sleep. And Sociological Analysis Of Les? They will oversleep.

They will bug out. Hey Carlos, Help! Part of the problem is that they do more than they are expected to theatre, do. A professor will assign five-page papers. Several students will start writing ten-page papers, and a few will raise the ante to fifteen. Which Lines From The Play Ruler?? Pity the poor student who is still just doing the assignment. Once you have twenty or thirty percent of the student population deliberately overexerting, one dean points out, it's just bad for everybody. When a teacher gets more and more effort from theatre de complicite his class, the student who is isle de france doing normal work can be perceived as not doing well.

The tactic works, psychologically. Why can't the professor just cut back and de complicite, not accept longer papers? He can and he probably will. But by and Sociological Miserables then the term will be half over and the damage done. Grade fever is highly contagious and not easily reversed. Besides, the professor's main concern is with his course. Theatre? He knows his students only in relation to on Gun Control in the States, the course and doesn't know that they are also overexerting in theatre de complicite their other courses. Nor is it really his business. He didn't sign up for dealing with the student as a whole person and with all the emotional baggage the student brought from home.

That's what deans, masters, chaplains, and psychiatrists are for. To some extent this is nothing new: a certain number of professors have always been self-contained islands of scholarship and shyness, more comfortable with books than with people. But the isle de france new pauperism has widened the gap still further, for professors who actually like to spend time with students don't have as much time to spend. They also are overexerting. If they are young, they are busy trying to publish in order not to perish, hanging by their fingernails onto a shrinking profession. If they are old and tenured, they are buried under the de complicite duties of administering departments -- as departmental chairmen or members of isle de france committees -- that have been thinned out by the budgetary axe. Ultimately it will be the student's own business to theatre, break the circles in which they are trapped. They are too young to be prisoners of isle de france their parents' dreams and their classmates' fears. They must be jolted into believing in themselves as unique men and women who have the power to de complicite, shape their own future. Violence is being done to the undergraduate experience, says Carlos Horta.

College should be open-ended; at the end it should open many, many roads. Instead, students are choosing their goal in advance, and their choices narrow as they go along, it's almost as if they think that the country has been codified in the type of which of these lines from the play that brutus caesar will become jobs that exist -- that they've got to fit into certain slots. Therefore, fit into the best-paying slot. They ought to take chances. Theatre De Complicite? Not taking chances will lead to a life of Essay Control United colorless mediocrity. Theatre De Complicite? They'll be comfortable. But something in the spirit will be missing. I have painted too drab a portrait of today's students, making them seem a solemn lot.

That is only half of their story: if they were so dreary I wouldn't so thoroughly enjoy their company. The other half is that they are easy to like. Essay Fourth? They are quick to laugh and to offer friendship. They are not introverts. They are unusually kind and are more considerate of one another than any student generation I have known. Nor are they so obsessed with their studies that they avoid sports and extra-curricular activities. On the contrary, they juggle their crowded hours to play on a variety of theatre teams, peform with musical and dramatic groups, and write for campus publications. But this in turn is one more cause of isle de france anxiety.

There are too many choices. Academically, they have 1,300 courses to select from; outside class they have to decide how much spare time they can spare and how to theatre de complicite, spend it. This means that they engage in fewer extracurricular pursuits than their predecessors did. If they want to indirect characterization example in literature, row on theatre de complicite, the crew and play in the symphony they will eliminate one; in the '60's they would have done both. An Archetypal Analysis Miserables Essay? They also tend to choose activities that are self-limiting. Drama, for instance, is flourishing in all twelve of Yale's residential colleges as it never has before. Students hurl themselves into these productions -- as actors, directors, carpenters, and technicians -- with a dedication to create the best possible play, knowing that the day will come when the run will end and they can get back to their studies. They also can't afford to be the theatre de complicite willing slave for organizations like the Yale Daily News.

Last spring at the one hundredth anniversary banquet of that paper whose past chairmen include such once and future kings as Potter Stewart, Kingman Brewster, and William F. Which Lines The Play Brutus Fears Caesar Ruler?? Buckley, Jr. -- much was made of the fact that the theatre editorial staff used to be small and totally committed and that newsies routinely worked fifty hours a week. In effect they belonged to a club; Newsies is how they defined themselves at sizwe banzi Yale. Today's student will write one or two articles a week, when he can, and he defines himself as a student. Theatre? I've never heard the word Newsie except at the banquet. If I have described the modern undergraduate primarily as a driven creature who is largely ignoring the Essay Mapp v. Ohio Amendment blithe spirit inside who keeps trying to come out and play, it's because that's where the crunch is, not only at Yale but throughout American education. It's why I think we should all be worried about the values that are nurturing a generation so fearful of risk and so goal-obsessed at such an early age. I tell students that there is no one right way to get ahead -- that each of them is a different person, starting from a different point and theatre de complicite, bound for a different destination. Fourth? I tell them that change is a tonic and that all the slots are not codified nor the theatre frontiers closed. Fourth Amendment? One of my ways of telling them is to invite men and theatre, women who have achieved success outside the academic world to come and talk informally with my students during the year. They are heads of companies or ad agencies, editors of magazines, politicians, public officials, television magnates, labor leaders, business executives, Broadway producers, artists, writers, economists, photographers, scientists, historians -- a mixed bag of achievers.

I ask them to say a few words about how they got started. The students assume that they started in their present profession and knew all along that it was what they wanted to do. Which Lines From The Play Fears Caesar Ruler?? Luckily for me, most of them got into their field by theatre a circuitious route, to their surprise, after many detours. The students are startled. Isle De France? They can hardly conceive of a career that was not pre-planned.

They can hardly imagine allowing the hand of God or chance to nudge them down some unforeseen trail.